by Banjamin Buchloh (Author), Roland Barthes (Author), Jorge Ribalta (Editor), Edward Steichen (Author)
This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War. This space documents the exhibitions designed by Lissitzky (Pressa, Film und Foto, etc); German, Italian and Spanish exhibitions in the 1930s, and exhibitions in MOMA during the Second World War.
Format: Illustrated
Pages: 504
Publisher: Museu D'Art Contemporani de Barcelona (MACBA)
Published: 01 Mar 2009
ISBN 10: 8492505060
ISBN 13: 9788492505067