by Mario Bellatin (Introduction), SergioPitol (Author), Margo Glantz (Afterword), George Henson (Translator)
We can read The Magician of Vienna not just as a work of literature but as one of the Holy Books in which we store humanity's imaginary. -- Mario Bellatin, author of Beauty Salon The heartbreaking final volume in Sergio Pitol's groundbreaking memoir-essay-fiction-hybrid Trilogy of Memory finds Pitol boldly and passionately weaving fiction and autobiography together to tell of his life lived through literature as a way to stave off the advancement of a degenerative neurological condition causing him to lose the use of language. Fiction invades autobiography--and vice versa--as Pitol writes to forestall the advancement of degenerative memory loss. Pitol's writing -- the way he constructs sentences, inflects Spanish, twists meanings and stresses particular words -- reflects the multiplicity of languages he has read and embraced. Reading him is like reading through the layers of many languages at once. -- Valeria Luiselli, author of The Story of My Teeth Sergio Pitol, the greatest living Mexican writer, winner of the Juan Rulfo and Cervantes prizes, is profoundly influential to the current generation of Spanish-language writers, including Valeria Luiselli, Enrique Vila-Matas, and Yuri Herrera.
Format: Paperback
Pages: 320
Publisher: Deep Vellum Publishing
Published: 28 Mar 2017
ISBN 10: 1941920489
ISBN 13: 9781941920480
Book Overview: Review copies available upon request Print publicity targeting literary journals and newspaper book sections Promotion on LibraryThing, Goodreads, Riffle, and other social reading websites Promotion on the publisher's website (deepvellum.org), Twitter feed (@deepvellum), and Facebook page (/deepvellum) Promotion in the publisher's e-newsletter Promotion at the Association of Writers and Writing Programs Conference, the American Literary Translators Association Conference, and Book Expo America First serial rights targeting the White Review; One Story, The Paris Review, Guernica, Tin House, McSweeney's, the New Yorker, and others Publicity targeting The New Inquiry, The Millions, Full-Stop, The Nervous Breakdown, HTMLGIANT, Three Percent, The Literary Saloon, the Quarterly Conversation, and more Print and digital advertising in select literary journals and magazines and on their websites, such as The American Reader, Granta, The Rumpus, The White Review, A Public Space, Little Star, The Coffin Factory, Vol. 1 Brooklyn, Electric Literature, Music & Literature, and others