Fists

Fists

by PietroGrossi (Author)

Synopsis

Told in a spare and powerful voice reminiscent of Hemingway and Salinger, the three stories in Pietro Grossi's Fists explore the rite of passage each of us faces in our youth and what it means to be a man in our time. 'Boxing', 'Horses' and 'The Monkey': three powerful coming-of-age stories about boys confronting reality, and fighting to stay alive in a man's world. In 'Fists', a teenage amateur boxer steps into the ring for the first time, and finds himself in a face-off with Life in all its muscular force; in 'Horses', two brothers embark on their first forays into adulthood, each learning to play a man's game in his own painful way; and in 'The Monkey', a young man realizes that in order to stay sane and survive in this world, we have to sacrifice our childhood dreams. Published by Pushkin Press, Howard Curtis's translation of Fists won the 2010 Premio Campiello Europa, and was shortlisted for the 2010 Independent Foreign Fiction Prize. 'There is more power and pathos in this short piece of spare, timeless prose than in most densely-written novels ... All three tales are artful but seemingly effortless, a quality shared by Howard Curtis's translation, which feels elegantly natural' - Daniel Hahn, Independent The greatest addition to Italian literature for a very long time' - Il Dominicale 'His passion for Hemingway, Faulkner and Philip Roth can be seen in this simple, precise and intense writing' - Il Giornale 'An outstanding debut' - Giudizio Universale 'A perfect book' - Il Sole 24 Ore Pietro Grossi, writer and translator, was born in 1978 in Florence and currently lives and works in Tuscany. His novel The Break is also available from Pushkin Press.

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More Information

Format: Paperback
Pages: 157
Publisher: Pushkin Press
Published: 23 Apr 2010

ISBN 10: 1906548382
ISBN 13: 9781906548384

Media Reviews
'The greatest addition to Italian literature for a very long time Il Domenicale Pietro Grossi has written three exemplary tales - three stories that you wished you had written yourself La Repubblica His passion for Hemingway, Faulkner and Philip Roth can be seen in this simple, precise and intense writing Il Giornale; Pietro Grossi's first book to appear in English has attracted two significant accolades: the Campiello Europe Prize and a short-listing for the Independent Foreign Fiction Prize. It deserves the acclaim. Fists is a trio of short novellas, or long short stories, stand-alone but linked thematically, describing young men at transitional moments. With each experience the character's identity crystallises. 'Boxing' is as good a contemporary short story as I have read in years. A boy learns to box and proves to have the makings of a champion. He becomes known as the Dancer. The story builds towards a showdown with another young contender, the Goat. It's a tale of struggle (of body and will) and bittersweet success, of camaraderie between rivals and raw physicality. There is more power and pathos in this short piece of spare, timeless prose than in most densely-written novels. 'Horses' opens with two brothers receiving horses from their father. The brothers are unalike, their choices different, as are the places to which their horses take them. 'The Monkey sees Nico receive news that an old friend has started acting like a monkey. Crouching, grunting, playing with nutshells - the lot. At first his family think he's just messing around, but apparently not. Nico interacts with characters who mostly fail to engage with him - his agent, his girlfriend, his mother, a succession of women not quite plugged into his world. Grossi's is a world where young men find and define their masculinity. Women are relegated to supporting parts. The narrator's mother in 'Boxing' is little more than a conventional if necessary irritant; 'Horses' is adorned with the pharmacist's daughter, pretty and nameless. Presenting three stories together invites us to seek connections. All present moments where the simplicities of childhood give way to the complexities of adult life, where a character who is still something of a boy becomes more of a man. The returns diminish somewhat. The third tale pivots on perhaps the most memorable image, the monkey-boy playing with nutshells, but it is also the least taut. All three tales are artful but seemingly effortless, a quality shared by Howard Curtis's translation, which feels elegantly natural. The whole written surface is clear and beautiful to read and there is plenty of depth beyond it too Daniel Hahn, The Independent.
Author Bio
Pietro Grossi was born in Florence in 1978. Fists is his second novel, for which he won the Premio Cocito Monta d'Alba prize. He lives in works between Tuscany and Milan.