The House with the Green Shutters

by George Douglas Brown (Author), George Douglas Brown (Author), Dorothy McMillan (Editor)

• Used

  Paperback
  2005

  $3.72

  A vigorous antidote to the homely, self-satisfied utopian outlook as portrayed in the 'kailyard tradition' of writers such as S.R. Crockett, John Watson and James Barrie, it offers instead a bleak and uncompromising vision in which there is no united community, only cruel gossip, the failure of youth and a yawning absence of faith in anything. Nowhere is this more evident than in Brown's fictional Barbie, where the hated and envied Gourlay, the successful, domineering and powerful local businessman, looks down on the local people both physically and metaphorically from the house he has built on the brae overlooking the village. The House With the Green Shutters is the story of his downfall, which is set in motion by the arrival of the affable yet corrupt and self-seeking Wilson, who gradually squeezes Gourlay out of one thing after another. Gourlay, an honest man despite his grimness and inflexibility, cannot compete, and his fate is sealed. Outwardly a symbol of order and control, the house with the green shutters is chaotic within; at its centre is a vacuum - 'the gaping place where the warmth should have been' - around which swirls a maelstrom of anger, hatred and resentment. As the story unfolds, Gourlay's son, intelligent and sensitive yet stifled by maternal love and paternal domination, slides emotionally and temperamentally out of control, and it is he who is responsible for the final act in the tragic sequence of events - killing his father in a fit of drunken rage. Although a powerful expose of late Victorian society, many of the criticisms inherent in The House With the Green Shutters are as apt today as they were a hundred years ago.

• Used

  Paperback
  2002

  $3.25

  The most famous Scottish novel of the early twentieth century, The House with the Green Shutters has remained a landmark on the literary scene ever since it was first published in 1901. Determined to overthrow the sentimental 'kailyard' stereotypes of the day, George Douglas Brown exposed the bitter pettiness of commercial greed and small-town Scottish life as he himself had come to know it. More than this, however, his novel lays bare the seductive and crippling presence of patriarchal authority in Scottish culture at large, symbolised by the terrible struggle between old John Gourlay and his weak but imaginative son. Illuminated by lightning flashes of descriptive brilliance, Brown's prose evokes melodrama, Greek tragedy and postmodern alienation in a unique and unforgettably powerful reading experience.