High Art Lite

High Art Lite

by JulianStallabrass (Author)

Synopsis

The recent controversy surrounding the Brooklyn Museum of Art's Sensation! Show has further inflated the already burgeoning media profiles of British artists like Damien Hirst, Chris Ofili, Sarah Lucas, Jake and Dino Chapman, Rachel Whiteread and Tracey Emin. British art has reinvented itself and successfully courted wider attention than it has ever received before. On the face of it, much of their art has looked like simple bad behaviour - using chopped-up animals, pornography and sexually explicit mannequins as its material, or building up the features of a child murderer using tiny hand-prints. Yet their art has been both accessible and sophisticated, appealing to the mass media and to the elite art world alike. But has it done so at the price of dumbing art down, reducing it to the level of any other consumer enterprise, and losing what is distinctive about art? Other than as publicity-fodder how seriously does it take the new audience that is so effectively courted? In this accessible book, Julian Stallabrass has written a sustained analysis of the British art scene, exploring the reasons for its popularity, the altered structure of the art world, and examining in detail the work of the leading figures. He also explores the reasons for art criticism's so far limited purchase on this art. Previous books about this subject have been either collections of essays or fan books, which try to aid acolytes hoping to navigate the art world. High Art Lite is the first sustained analysis of British art in the 1990s, and Stallabrass shows that, whatever we might think of the art itself, it raises fascinating questions about the relation of art to mass culture, the role of art in consumer society, the character of a national art, and the end of postmodernism.

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Quantity

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More Information

Format: Hardcover
Pages: 224
Edition: illustrated edition
Publisher: Verso Books
Published: 29 Nov 1999

ISBN 10: 1859847218
ISBN 13: 9781859847213

Media Reviews
In High Art Lite, Julian Stallabrass exerts a shrew critical intelligence on a spectacle of hype. - Mignon Nixon, Courtauld Institute of Art, University London One of the UK's pre-eminent Marxist critics (and critic of Marxism). -- Afterimage: The Journal of Media Arts and Cultural Criticism Stallabrass is no darling of the powerful neo-conservative faction of the mass culture he so astutely skewers... [he] raises an eloquent voice against the deliberate social amnesia emblematic of so many projects within mass culture. -- Toronto Globe and Mail
Author Bio
Julian Stallabrass is a writer and art critic. He teaches history of art at the Courtauld Institute of Art, University of London. He is author of Gargantua: Manufactured Mass Culture (Verso) and the co-editor of Occupational Hazard: Critical Writing on Recent British Art.