Much Ado About Nothing (Wordsworth Classics)

by Dr Keith Carabine (Series Editor), William Shakespeare (Author), William Shakespeare (Author), Professor Cedric Watts M.A. Ph.D. (Introduction), Professor Cedric Watts M.A. Ph.D. (Editor)

• Used

  Paperback
  1995

  $3.39

  Edited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex. The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. Much Ado About Nothing has long been celebrated as one of Shakespeare's most popular comedies. The central relationship, between Benedick and Beatrice, is wittily combative until love prevails. Broader comedy is provided by Dogberry, Verges and the watchmen. The drama ranges between the destructively sinister and the lyrically romantic, giving the whole a complex and sometimes problematic character. Numerous revivals, in the theatre and on screen, have displayed the lively variety and interpretative openness of this engaging comedy.

• Used

  Paperback
  2000

  $3.25

• Used

  Hardcover
  1979

  $3.70

  The Players' Shakespeare series presents hardback editions of Shakespeare's plays for use in schools. The text is supported by detailed notes and is suitable for GCSE and A level.

• New

  Paperback
  1995

  $6.70

  Edited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex. The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. Much Ado About Nothing has long been celebrated as one of Shakespeare's most popular comedies. The central relationship, between Benedick and Beatrice, is wittily combative until love prevails. Broader comedy is provided by Dogberry, Verges and the watchmen. The drama ranges between the destructively sinister and the lyrically romantic, giving the whole a complex and sometimes problematic character. Numerous revivals, in the theatre and on screen, have displayed the lively variety and interpretative openness of this engaging comedy.