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The Pleasure Ground: Poems 1952-2012

The Pleasure Ground: Poems 1952-2012

by RichardMurphy (Author)

  • New

    Paperback 2013

    $15.97
Synopsis

Richard Murphy (1927-2018) was one of Ireland's most distinguished poets, known particularly for poems drawing on the people and history of the west of Ireland with classical rigour and 'unvarnished' clarity. He emerged in the 1950s with John Montague and Thomas Kinsella as one of the three major poets in the new Irish poetic renaissance. The Pleasure Ground expands the scope of his much acclaimed Collected Poems of 2000 to include a selection of new poems along with an appendix featuring illuminating commentary on the historical and personal background of some of his most notable work, including 'The Cleggan Disaster', 'The God Who Eats Corn', The Battle of Aughrim, and the poems of High Island. Poetry Book Society Special Commendation.

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More Information

Format: Paperback
 Pages: 288
 Publisher: Bloodaxe Books Ltd
Published: 25 Apr 2013
ISBN 10: 1852249862
ISBN 13: 9781852249861

Media Reviews
One of the truly great things about Richard Murphy's Collected Poems is just how alive the book is to the west of Ireland: its history and people, the landscape, customs and folkways of making a living (as Murphy did) from the sea. But it is not as pastoral that these poems really live; the western islands and the terrain become austere emblematic presences, dramatising an intense struggle for personal and cultural identity. Traversing this geography of the mind, Murphy auspiciously reinvented in The Battle of Aughrim (1968) an historical frieze of war and conflict in the late 17th century spliced through with images drawn, almost cinematically, from 20th-century Ireland - Richard Murphy is an intriguingly available poet and, like those of Robert Graves, his poems have all the bright music of great love songs. -- Gerard Dawe * The Irish Times *
Oscillating from beginning to end and from page to page between narrative and lyric, public and private, love poem and elegy, The Pleasure Ground is a hugely significant achievement. Now well into his ninth decade, Richard Murphy continues to be a poet of great fortitude and resource, one of the finest of our time. -- Michael Longley * The Irish Times *
Richard Murphy's verse is classical in a way that demonstrates what the classical strengths really are. It combines a high music with simplicity, force and directness in dealing with the world of action. He has the gift of epic objectivity: behind his poems we feel not the assertion of his personality, but the actuality of events, the facts and sufferings of history - I don't know of any other contemporary poet who has so redeemed the classical manner. Every line is unique and wrought, somehow organic, yet the whole thing is simple. The plainest statements have an almost plastic life and solidarity. And the final effect is of a formal beautifully sustained music of essentials. This kind of poetry, which is nowadays so terribly difficult to write, reminds us that poems too must take their final test of health in the world of action. -- Ted Hughes
Author Bio
Born in 1927 at Milford, near Kilmaine, County Mayo, Richard Murphy spent part of his childhood in Ceylon, where his father was the last British Mayor of Colombo. From the age of eight, he attended boarding schools in Ireland and England, winning a scholarship to Oxford at seventeen. After years of displacement, marriage and divorce, he returned to Inishbofin in 1959 and settled for twenty years at Cleggan, writing there and on Omey and alone on High Island. He moved to Dublin in 1980, detaching himself from the beloved country of his past the better to reach it in poetry. From 2007 until his death in 2018 he lived near Kandy in Sri Lanka, where he built a clay-tiled Octagon on a hill-top, for writing, meditation and yoga. Richard Murphy won the AE Memorial Award for his poetry in 1951. His lyric `Years Later', which concludes the narrative of `The Cleggan Disaster', won first prize in the Guinness Awards at the Cheltenham Literary Festival of 1962. The poem was submitted with a pseudonym and the judges were George Hartley, founder of the Marvell Press, Sylvia Plath, and the critic John Press. His collection Sailing to an Island (Faber) was the Poetry Book Society Spring Choice in 1963. The Battle of Aughrim followed from Faber, and from Knopf in the US, in 1968. He received an Arts Council Award in Britain 1967 and received the Marten Toonder Award from the Arts Council of Ireland in 1980. He became a Fellow of the Royal Society of Literature in 1969 and a Member of Aosdana in 1982, and received the American Irish Foundation Literary Award in 1983. He received the Society of Authors Foundation Award in 2002. The Price of Stone (Faber, 1985) was a Poetry Book Society Recommendation. The Mirror Wall (Bloodaxe Books, 1989) received the Poetry Book Society Translation Award. His Collected Poems (Gallery Press, Ireland, and Wake Forest University Press, USA, 2000) was shortlisted for the Irish Times Poetry Prize. The Kick: a Memoir (Granta Books, 2002) was shortlisted for the J.R. Ackerley Prize in 2002. His retrospective The Pleasure Ground: Poems 1952-2012 was published by Bloodaxe Books in Britain and by Lilliput Press - under the title Poems 1952-2012 - in Ireland in 2013, and is a Poetry Book Society Special Commendation.