Media Reviews
Praise for THE LAST WEREWOLF: 'Loaded with beautifully constructed lunatic ravings . . . A sublime study in literary elegance. It is bloody (and) brilliant. * * Independent on Sunday * *
Sexy, funny, blisteringly intelligent. * * The Times * *
Like an updated version of Dracula, only for werewolves, and as rewritten by Bret Easton Ellis. * * Guardian * *
Glorious . . . wry, world-weary Jake Marlowe would make a fabulous dinner companion. Just not during a full moon. -- Justin Cronin, author of The Passage * * New York Times * *
A magnificent novel. A brutal, indignant, lunatic howl. A sexy, blood-spattered page-turner, beautifully crafted and full of genuine suspense, that tears the thorax out of the horror genre. -- Nick Cave
A brilliantly original thriller, a love story, a witty treatise on male (and female) urges, even an existential musing on what it is to be human. * * Word Magazine * *
Duncan is the cleverest literary horror merchant since Bram Stoker. * * The Times * *
I could say that The Last Werewolf is smart, thrilling, funny, moving, beautifully written, and a joy to read, and this would all be true. But it would also be a woeful understatement of what Glen Duncan has accomplished with his extraordinary novel. The only useful thing I can offer you is a simple admonishment. Stop reading my words, and start reading his. Trust me: you'll be happy you did. -- Scott Smith, author of A SIMPLE PLAN and THE RUINS
The Last Werewolf is written with such scandalous ferocity and such grizzly humour it feels like the literary equivalent of howling at the moon. Not since Lon Chaney and John Landis has lycanthropy been such a blast, and Glen Duncan offers more danger, gristle and lunatic brilliance per sentence than any writer I can think of. -- Matt Haig
Absolutely brilliant. A surreal, dark and unsettling tale that really did put the bite back into the supernatural. In short, I got a real kick out of it. -- Russel McLean
Remarkable for its humour, eloquence and self-aware intelligence. A deeply human narrative about the nature of story itself. -- Stella Duffy
Duncan updates the canon without radicalising it, making this a must for fans of grown-up, realist supernatural writing * * The Skinny * *
As well as being thought-provoking, it's all great fun. Some of the conventions are borrowed from genre fiction, but the writing sure isn't... Duncan's writing does more than transcend genre fiction: it creeps up on it in the dead of night, rips out its heart, then eats it -- Scarlett Thomas * * Guardian * *
Duncan's writing is in turn raw and graphic but also beautiful and almost poetic. Either way it leaves you ravenous for more * * We Love This Book * *
Bonkers but brilliant * * Daily Mirror * *
This bloodthirsty page turner is as far removed from teen schmaltz Twilight as you can imagine * * Big Issue * *
The horror genre at its best - wildly imaginative, written with wit and intelligence, wickedly entertaining -- Kate Saunders * * The Times * *
This is pulp fiction but of the highest order...a wonderfully constructed universe of hipster philosophy, hard-bitten humour, just enough arcane mystery and a whole load of Tarrantino-Technicolour sex and violence . . . it goes way beyond genre writing * * Word Magazine * *
A rip-roaring narrative of jet set travel transgressive sex, secret societies, vampires, mercenaries, familiars and silver bullets * * SFX Magazine * *
A fiercely, clever, full bodied thriller * * Metro * *
This whip-smart, deliriously carnal horror will not disappoint * * The Sunday Telegraph * *
As well as offering a new vantage point from which to consider the old questions of life, it also provides a welcome fantasy in which there is not just extreme sex and violence, but also smoking, drinking and a lot of very fancy hotels. Werewolves can't get cancer and don't need pensions. Who wouldn't want to be part of their world for a while -- Scarlett Thomas * * The Guardian * *
A fiercely clever, full-bloodied thriller * * Metro * *
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