The New Shostakovich

by IanMacDonald (Author)

• Used

  Paperback
  2006

  $7.07

  Who was Dmitri Shostakovich? The USSR's official figurehead composer and son of the revolution that brought the Soviet state into being, or a secret dissident whose contempt for the totalitarian regime was scathing? Perhaps both? Since the posthumous publication in 1979 of alleged memoirs by Shostakovich, the controversy about the composer and his music has escalated into the most rancorous debate the world of classical music has ever known. Ian MacDonald's The New Shostakovich presents the case for the dissident view, arguing passionately that the meaning of the composer's music cannot be fully appreciated without a knowledge of the terrible times he and his fellow artists lived through under Soviet Communism. A widely read and critically acclaimed book in the 1990s, this new edition has been comprehensively revised, extensively corrected, and updated with much new material. Whichever side of the debate readers support, The New Shostakovich presents them with a viewpoint which cannot be ignored.

• Used

  Paperback
  1991

  $6.58

  Until the publication of Testimony , the memoirs he dictated to journalist Solomon Volkov, few doubted that Dmitri Shostakovich was a son of the Russian Revolution, whose music celebrated its triumphs, and who devoted his life to the ideals of socialist humanism and internationalism. This biography of Shostakovich repudiates reservations about the precise nature of Volkov's book, to reveal a new Shostakovich - a man who had no sympathy with Communism and was forced to build subtle or coded communication into his music to defy the artistic conventions of the Stalinist state. In addition to presenting this new view of the composer, the book also encourages a reappraisal of his music in the light of its new-found meaning and the manner of its creation.

• New

  Paperback
  2006

  $18.09

  Who was Dmitri Shostakovich? The USSR's official figurehead composer and son of the revolution that brought the Soviet state into being, or a secret dissident whose contempt for the totalitarian regime was scathing? Perhaps both? Since the posthumous publication in 1979 of alleged memoirs by Shostakovich, the controversy about the composer and his music has escalated into the most rancorous debate the world of classical music has ever known. Ian MacDonald's The New Shostakovich presents the case for the dissident view, arguing passionately that the meaning of the composer's music cannot be fully appreciated without a knowledge of the terrible times he and his fellow artists lived through under Soviet Communism. A widely read and critically acclaimed book in the 1990s, this new edition has been comprehensively revised, extensively corrected, and updated with much new material. Whichever side of the debate readers support, The New Shostakovich presents them with a viewpoint which cannot be ignored.