Me and the Dead (Salt Modern Poets)

Me and the Dead (Salt Modern Poets)

by KatyEvans-Bush (Author)

Synopsis

In one of the best debut collections for ages, Katy Evans-Bush rises to the challenge of finding words for our times, meeting them in the nurseries of children or the battlefields of Iraq. Her work is various, educated and promiscuously open to experience: a Bishoppy moose makes an unepiscopal escape into TV's 'Northern Exposure' as its name morphs through Muldoonian games; Catullus is translated into rougharse while the title-poem takes the pulse of modern death. She makes good use of her joint passport into British and American poetry, which now often seem to share a whole language of faux amis, in a book which is stylish and funny, cultured and humane. This is contemporary poetry for grown-ups.

$17.80

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More Information

Format: Hardcover
Pages: 80
Publisher: Salt Publishing
Published: 15 Jul 2008

ISBN 10: 1844714217
ISBN 13: 9781844714216
Book Overview: The most exciting news in contemporary poetry is not English or American but a mid-Atlantic, old-and-new-world marriage of the two, renewing the verbal contract. In her saucy, brilliant debut, Katy Evans-Bush proves one of the brightest offspring of this marriage. I lashed myself to the texts of love, she writes, as if they were a raft. Her poems depicting commuters, lovers, friends alive and dead, bigamists thumbing mobile phones, scenes on both sides of the big pond, are charged and rigorous. When she reminds us, Nothing is more dangerous than a weak imagination, it reverberates with earned authority. The woman alive in these poems is a vital confrontation. She deserves to be read everywhere. -- David Mason I couldn't put it down?! Very absorbing and satisfying at many levels. I'm sure it will have a considerable impact and I hope that translates into sales and prizes. -- Ian Duhig The most exciting news in contemporary poetry is not English or American but a mid-Atlantic, old-and-new-world marriage of the two, renewing the verbal contract. In her saucy, brilliant debut, Katy Evans-Bush proves one of the brightest offspring of this marriage. I lashed myself to the texts of love, she writes, as if they were a raft. Her poems depicting commuters, lovers, friends alive and dead, bigamists thumbing mobile phones, scenes on both sides of the big pond, are charged and rigorous. When she reminds us, Nothing is more dangerous than a weak imagination, it reverberates with earned authority. The woman alive in these poems is a vital confrontation. She deserves to be read everywhere. -- David Mason I couldn't put it down?! Very absorbing and satisfying at many levels. I'm sure it will have a considerable impact and I hope that translates into sales and prizes. -- Ian Duhig

Media Reviews

Katy Evans-Bush can tell an offbeat story the way you've never heard it before, but wanted to. Her ironised yet romantic fatalism--reminiscent of a post-sisterhood Millay--is a model of wit and restrained emotion.

-- John Stammers

Suffice to say that Evans-Bush is a strong poet with a serious future in this bailiwick.

-- Jo Hutchinson * Perpetual Bird blog *

Suffice to say that Evans-Bush is a strong poet with a serious future in this bailiwick.

-- Jo Hutchinson * Perpetual Bird blog *
Author Bio
Katy Evans-Bush was born in New York City. At the age of nineteen she moved to London, where she now has three children and a no-pets clause. An editor in the not-for-profit sector, she writes essays and reviews as well as poetry, is a regular contributor to the Contemporary Poetry Review, and is the author of the literary blog Baroque in Hackney.