Helmet of Horror, The: The Myth of Theseus and the Minotaur

Helmet of Horror, The: The Myth of Theseus and the Minotaur

by VictorPelevin (Author)

Synopsis

Labyrinth 1 is an intricate structure of intercommunicating passages, through which it is difficult to find one's way without a clue; a maze. They have never met, they have been assigned strange pseudonyms, they inhabit identical rooms, which open out onto very different landscapes, and they have entered into a dialogue, which they cannot escape - a discourse defined and destroyed by the Helmet of Horror . Its wearer is the dominant force they call Asterisk, a force for good and ill in which the Minotaur is forever present and Theseus is the great unknown. Victor Pelevin has created a mesmerising world where the surreal and the hyperreal collide. The Helmet of Horror is structured according to the Internet exchanges of the twenty-first century, yet instilled with the figures and narratives of classical mythology. It is a labyrinthine examination of epistemological uncertainty that radically reinvents the myth of Theseus and the Minotaur for an age where information is abundant but knowledge is ultimately unattainable.

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More Information

Format: Paperback
Pages: 216
Edition: Export and Airside e.
Publisher: Canongate Books
Published: 02 Mar 2006

ISBN 10: 1841957682
ISBN 13: 9781841957685

Media Reviews
'A psychedelic Nabokov for the cyber age' TIME MAGAZINE 'Pelevin is one of the funniest novelists writing today' NEW STATESMAN 'What is truly stunning is the whole-cloth originality of Pelevin's vision... A virtuoso performance, at times as deep-hearted as a Tchaikovsky pas de deux, at others as light-fingered as The Flight of the Bumblebee' LOS ANGELES TIMES 'One of the greatest pleasures of Pelevin's writing is the perfectly pitched irony of his narrative voice, which pokes fun at his characters but never abandons sympathy for them' GUARDIAN
Author Bio
VICTOR PELEVIN has established a reputation as one of the most interesting of the younger generation of Russian writers. He has degrees from Moscow's Gorky Institute of Literature and has written for the New York Times Magazine, Granta, and Open City. His previous novels include The Victor Clay Machine and The Life of Insects. ANDREW BROMFIELD is a regular translator from the Russian, and has translated works by Boris Akunin, Vladimir Voinovich and Irina Denezhkina, as well as other titles by Victor Pelevin.