Strange Fruit: Billie Holiday, Cafe Society and an Early Cry for Civil Rights

by David Margolick (Author), HiltonAls (Foreword)

• Used

  Paperback
  2001

  $3.25

  An exploration of the story of a song that foretold a movement, and the lady who dared to sing it. The powerful, evocative lyrics of Strange Fruit - written by a Jewish communist schoolteacher - portray the lynching of a black man in the South. In 1939, its performance sparked controversy (and sometimes violence) wherever Billie Holiday went. Not until 16 years later did Rosa Parks refuse to yield her seat on a Montgomery, Alabama bus. Yet Strange Fruit lived on, and in this work David Margolick chronicles its effect on those who experienced it first-hand: musicians, artists, journalists, intellectuals, students, budding activists, and even the waitresses and bartenders who worked the clubs.

• Used

  Paperback
  2002

  $3.63

  This is the story of the song that foretold a movement and the Lady who dared sing it. Billie Holiday's signature tune, 'Strange Fruit', with its graphic and heart-wrenching portrayal of a lynching in the South, brought home the evils of racism as well as being an inspiring mark of resistance. The song's powerful, evocative lyrics - written by a Jewish communist schoolteacher - portray the lynching of a black man in the South. In 1939, its performance sparked controversy (and sometimes violence) wherever Billie Holiday went. Not until sixteen years later did Rosa Parks refuse to yield her seat on a Montgomery, Alabama bus. Yet 'Strange Fruit' lived on, and Margolick chronicles its effect on those who experienced it first-hand: musicians, artists, journalists, intellectuals, students, budding activists, even the waitresses and bartenders who worked the clubs.

• New

  Paperback
  2002

  $11.48

  This is the story of the song that foretold a movement and the Lady who dared sing it. Billie Holiday's signature tune, 'Strange Fruit', with its graphic and heart-wrenching portrayal of a lynching in the South, brought home the evils of racism as well as being an inspiring mark of resistance. The song's powerful, evocative lyrics - written by a Jewish communist schoolteacher - portray the lynching of a black man in the South. In 1939, its performance sparked controversy (and sometimes violence) wherever Billie Holiday went. Not until sixteen years later did Rosa Parks refuse to yield her seat on a Montgomery, Alabama bus. Yet 'Strange Fruit' lived on, and Margolick chronicles its effect on those who experienced it first-hand: musicians, artists, journalists, intellectuals, students, budding activists, even the waitresses and bartenders who worked the clubs.