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New
Hardcover
2010
$16.34
Though Stoker did not invent vampires - and in fact based his character's life-in-death on extensive research into European folklore - his novel elevated the nocturnal monster to iconic stature, spawning a genre of stories and movies which flourishes to this day. A century of imitation has done nothing to diminish its power. As the suave and chilling Count stalks his prey from a crumbling castle in the Carpathians to a lunatic asylum in Purfleet and the bedrooms of his swooning female victims, the drama builds to a fever pitch of sensuality and suspense. Dracula is not only a classic of Gothic horror and a wellspring of modern mythology: it is also irresistible entertainment.
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Used
Paperback
1997
$15.98
A rich selection of background and source materials is provided in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and Dracula's Guest, the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. Dramatic and Film Variations focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included. Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijsktra, Stephen D. Arata, and Talia Schaffer. A Chronology and a Selected Bibliography are included.
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Used
Hardcover
1995
$5.89
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New
Paperback
1993
$6.79
Introduction and Notes by Dr David Rogers, Kingston University. 'There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath; the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion.' Thus Bram Stoker, one of the greatest exponents of the supernatural narrative, describes the demonic subject of his chilling masterpiece Dracula, a truly iconic and unsettling tale of vampirism.