The Waves (Wordsworth Classics)
by Deborah Parsons (Introduction), Dr Keith Carabine (Series Editor), Deborah Parsons (Introduction), Virginia Woolf (Author)
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Used
Paperback
2000
$3.46
Introduction and Notes by Deborah Parsons, University of Birmingham. 'I am writing to a rhythm and not to a plot', Virginia Woolf stated of her eighth novel, The Waves. Widely regarded as one of her greatest and most original works, it conveys the rhythms of life in synchrony with the cycle of nature and the passage of time. Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The subsequent continuity of these six main characters, as they develop from childhood to maturity and follow different passions and ambitions, is interspersed with interludes from the timeless and unifying chorus of nature. In pure stream-of-consciousness style, Woolf presents a cross-section of multiple yet parallel lives, each marked by the disintegrating force of a mutual tragedy. The Waves is her searching exploration of individual and collective identity, and the observations and emotions of life, from the simplicity and surging optimism of youth to the vacancy and despair of middle-age.
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Used
Paperback
1998
$9.33
Woolf described this work on the title-page of the first draft as 'the life of anybody'. The Waves (1931) traces the lives and interactions of seven friends in an exploratory and sensuous narrative. The Waves was conceived, brooded on, and written during a highly political phase in Woolf's career, when she was speaking on issues of gender and of class. This was also the period when her love affair with Vita Sackville-West was at its most intense. The work is often described as if it were the product of a secluded, disembodied sensibility. Yet its writing is supremely engaged and engaging, providing an experience which the reader is unlikely to forget.
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Used
Hardcover
1992
$40.85
2013 Reprint of 1931 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. The Waves, first published in 1931, is Virginia Woolf's most experimental novel. It consists of soliloquies spoken by the book's six characters: Bernard, Susan, Rhoda, Neville, Jinny, and Louis. Also important is Percival, the seventh character, though readers never hear him speak through his own voice. The soliloquies that span the characters' lives are broken up by nine brief third-person interludes detailing a coastal scene at varying stages in a day from sunrise to sunset. As the six characters or voices alternately speak, Woolf explores concepts of individuality, self, and community. Each character is distinct, yet together they compose a gestalt about a silent central consciousness. The novel follows its six narrators from childhood through adulthood. Woolf's novel is concerned with the individual consciousness and the ways in which multiple consciousnesses can weave together. The difficulty of assigning genre to this novel is complicated by the fact that The Waves blurs distinctions between prose and poetry, allowing the novel to flow between six not dissimilar interior monologues. The book similarly breaks down boundaries between people, and Woolf herself wrote in her Diary that the six were not meant to be separate characters at all, but rather facets of consciousness illuminating a sense of continuity.
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New
Paperback
1978
$19.30
Synopsis
Introduction and Notes by Deborah Parsons, University of Birmingham. 'I am writing to a rhythm and not to a plot', Virginia Woolf stated of her eighth novel, The Waves. Widely regarded as one of her greatest and most original works, it conveys the rhythms of life in synchrony with the cycle of nature and the passage of time. Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The subsequent continuity of these six main characters, as they develop from childhood to maturity and follow different passions and ambitions, is interspersed with interludes from the timeless and unifying chorus of nature. In pure stream-of-consciousness style, Woolf presents a cross-section of multiple yet parallel lives, each marked by the disintegrating force of a mutual tragedy. The Waves is her searching exploration of individual and collective identity, and the observations and emotions of life, from the simplicity and surging optimism of youth to the vacancy and despair of middle-age.