The Master and Margarita: Edward Kemp (Oberon Modern Plays)

by Mikhail Bulgakov (Author), Mikhail Bulgakov (Author)

• New

  Paperback
  2004

  $28.04

  A mysterious stranger appears in a Moscow park. Soon he and his retinue have astonished the locals with the magic show to end all magic shows. But why are they really here, and what has it got todo with the beautiful Margarita, or her lover, the Master, a silenced writer? A carnival for the senses and a diabolical extravaganza, this most exuberant of Russian novels was staged in this adaptation at Chichester Festival Theatre.

• Used

  Paperback
  1996

  $7.65

  There is a rising concern about how town centres seem to have lost many of their traditional functions - as meeting places, as centres of social, political and cultural life, and as the very focus of the urban public realm. They seem to have become shopping and commercial centres by day and near-deserted ghost towns by night.

• New

  Paperback
  2008

  $14.47

  Banned for 27 years and initially published in a heavily censored edition, The Master and Margarita is probably the most important Russian novel of the 20th century. Written as a satire of Stalin's suffocating bureaucracy, the book has inspired Salman Rushdie's The Satanic Verses, The Rolling Stones' song Sympathy for the Devil and the work of many other international artists, writers and musicians. The latest in SelfMadeHero's highly successful Eye Classics series, whose previous volumes include Romeo and Juliet and Nevermore.

• New

  Hardcover
  1992

  $16.84

  My favorite novel -it's just the greatest explosion of imagination, craziness, satire, humor, and heart. (Daniel Radcliffe). The devil with his retinue, a poet incarcerated in a mental institution for speaking the truth, and a startling re-creation of the story of Pontius Pilate, constitute the elements out of which Mikhail Bulgakov wove The Master and Margarita, the unofficial masterpiece of twentieth-century Soviet fiction. Long suppressed in its native land, this account of strange doings in Moscow in the 1930s provides us with the essence of the sceptical, trenchant, unadulterated voice of dissent.