How Fear Departed the Long Gallery: A Ghost Story for Christmas (Seth's Christmas Ghost Stories)

How Fear Departed the Long Gallery: A Ghost Story for Christmas (Seth's Christmas Ghost Stories)

by Seth (Illustrator), E.F.Benson (Author)

Synopsis

Biblioasis is thrilled to continue this series of beautifully illustrated, collectible, classic Christmas ghost stories designed and illustrated by world-famous cartoonist Seth.

In How Fear Departed the Long Gallery, for the Peverils, the appearance of a ghost is no more upsetting than the appearance of the mailman at an ordinary house. Except for the twin toddlers in the Long Gallery. No one would dare be caught in the Long Gallery after dark. But on this quiet and cloudy afternoon, Madge Peveril is feeling rather drowsy . . .

E. F. Benson was the English writer of the Mapp and Lucia series.

$7.63

Quantity

20+ in stock

More Information

Format: Illustrated
Pages: 52
Edition: Illustrated
Publisher: Biblioasis
Published: 16 Nov 2017

ISBN 10: 1771961945
ISBN 13: 9781771961943
Book Overview: National review copy mailing = 500+ copies to US media / bloggers / influencers will build on success of last year's debut (which netted NYT review and other large media outlet attention) Heavy focus on NPR / TV broadcast media; pitching as perfect Christmas story with multiple angles: reviving old tradition; remedy to excessive cheer of the season; Seth is well-known & respected & does great interviews (his quirky & old fashioned character is well suited to subject) Seth-designed posters for distribution to bookstores Promotion targeting niche markets (Seth collectors, comic stores, gift stores) Specially designed, narrow loader for register display

Author Bio
Edward Frederic E. F. Benson (1867 - 1940) was an English writer, most well-known for his series of Mapp & Lucia books.

Seth is the cartoonist behind the comic-book series Palookaville. His comics have a appeared in the New York Times magazine, Best American Comics, and McSweeney's Quarterly. His illustrations have appeared on the cover of the New Yorker, the Walrus, and CNQ.