Openings: A Memoir from the Women's Art Movement, New York City 1970-1992

[Openings is] crucial to the understanding of women artists in New York . . . it really captures what it must have been like to be an artist in New York in the 70s and 80s. --Patricia Hills, Art historian and Professor Emerita, Boston University

This is important reading for aspiring women artists today, and evidence that the received history of the feminist movement . . . is not always the full picture. --Suzanne Lacy, Chair, MFA in Public Practice, Otis College of Art and Design

Moore's memoir is radical not only because it frames feminist art history as central, but also in its very telling, where monumental events in the art world stand equal to Moore's personal life, her dreams, and her poetic tenderness. --Rachel Kauder Nalebuff, playwright, creator of My Little Red Book, and co-editor of The Feminist Utopia Project

Openings puts you right there--at the heart of the passion, brilliance, and creative chaos of the feminist art uprising . . . an intimate and soulful glimpse into a critical epoch. --Chellis Glendinning, psychologist and author of My Name is Chellis and I'm in Recovery from Western Civilization

Sabra Moore's Openings: A Memoir from the Women's Art Movement, New York City, 1970-1992 contains many different moods as well as different moments in time and location, oscillating in tone from the highly personal and poignant to the public and political, while they collectively evoke deeply complex and vivid pictures of the shifting situations, and stances of women artists (including Moore, herself) in New York City over the course of twenty years.These fascinating memoirs, accompanied by some 900 images, are drawn from Sabra Moore's amazing journals (divided into twelve chapters, beginning with Where I/We Came In and ending with A Bird in the Hand ) that she kept while she lived as a central figure in New York's feminist circles. --Moira Roth, Art critic and Professor of Art History, Mills College

Sabra Moore has created a generous and wonderfully readable account of the large community of women artists working in New York in these two vital decades of struggles and achievements. Their shared lives blend in this memoir, denying the notion that only a few of these women's lives mattered then and now. Her writing is lucid, her stories funny, poignant, and inspiring. This book should be required reading by all historians of this phase of the growing importance of women's contributions to the visual arts in 20th century America. --Ann Sutherland Harris, Professor Emerita, History of Art and Architecture, University of Pittsburgh

-[Openings is] crucial to the understanding of women artists in New York . . . it really captures what it must have been like to be an artist in New York in the 70s and 80s.- --Patricia Hills, Art historian and Professor Emerita, Boston University

-This is important reading for aspiring women artists today, and evidence that the received history of the feminist movement . . . is not always the full picture.- --Suzanne Lacy, Chair, MFA in Public Practice, Otis College of Art and Design

-Moore's memoir is radical not only because it frames feminist art history as central, but also in its very telling, where monumental events in the art world stand equal to Moore's personal life, her dreams, and her poetic tenderness.---Rachel Kauder Nalebuff, playwright, creator of My Little Red Book, and co-editor of The Feminist Utopia Project

-Openings puts you right there--at the heart of the passion, brilliance, and creative chaos of the feminist art uprising . . . an intimate and soulful glimpse into a critical epoch. --Chellis Glendinning, psychologist and author of My Name is Chellis and I'm in Recovery from Western Civilization

-Sabra Moore's Openings: A Memoir from the Women's Art Movement, New York City, 1970-1992 contains many different moods as well as different moments in time and location, oscillating in tone from the highly personal and poignant to the public and political, while they collectively evoke deeply complex and vivid pictures of the shifting situations, and stances of women artists (including Moore, herself) in New York City over the course of twenty years.These fascinating memoirs, accompanied by some 900 images, are drawn from Sabra Moore's amazing journals (divided into twelve chapters, beginning with -Where I/We Came In- and ending with -A Bird in the Hand-) that she kept while she lived as a central figure in New York's feminist circles.- --Moira Roth, Art critic and Professor of Art History, Mills College

-Sabra Moore has created a generous and wonderfully readable account of the large community of women artists working in New York in these two vital decades of struggles and achievements. Their shared lives blend in this memoir, denying the notion that only a few of these women's lives mattered then and now. Her writing is lucid, her stories funny, poignant, and inspiring. This book should be required reading by all historians of this phase of the growing importance of women's contributions to the visual arts in 20th century America.- --Ann Sutherland Harris, Professor Emerita, History of Art and Architecture, University of Pittsburgh