The Bjorling Sound: A Recorded Legacy

The Bjorling Sound: A Recorded Legacy

by StephenHastings (Author)

Synopsis

A half century after his death in 1960, Swedish tenor Jussi Bjorling remains one of the most beloved singers in the world. He spent forty-five of his forty-nine years performing in public, rapidly conquering opera-house and concert stages on both sides of the Atlantic. Along the way, he left a vast recorded legacy that continues to enchant lovers of vocal music and inspire young singers. In this ground-breaking book, Stephen Hastings analyzes more than four hundred of the great tenor's recordings, comparing them with the output of a hundred other tenors, from Caruso to Alagna. The repertoire ranges from brief art songs by Schubert and Sibelius to entire opera recordings--some made in the studio, others captured live. What emerges is a richly layered portrait of this most musical of singers. As Hastings's comparisons demonstrate, Bjorling left his unique imprint on all the scores he sang, combining a perennial freshness of approach with the richly inflected phrasing made possible by a perfectly honed technique.

$63.90

Quantity

20+ in stock

More Information

Format: Hardcover
Pages: 424
Publisher: University of Rochester Press
Published: 30 May 2012

ISBN 10: 1580464068
ISBN 13: 9781580464062

Media Reviews
I devoured The Bjoerling Sound with unashamed greed and great pleasure. --F. Paul Driscoll, editor in chief, Opera News His passages on Gounod's Faust and Romeo et Juliette are a masterpiece of sensitive analysis. NEWSLETTER OF THE SWEDISH JUSSI BJOERLING SOCIETY [Stefan Johansson] Remarkable new book. . . . Insightful scholarship and freshly evocative writing that will send Bjo rling's fans back to their favourite recordings and will win the tenor many admirers. ***** [Highest ranking, and book of the month] BBC MUSIC MAGAZINE [John Allison] [Hastings's] analyses are detailed, well written, and clear. . . . _The Bjoerling Sound: A Recorded Legacy has become a standard work, like The Callas Legacy of John Ardoin. OPERA NEDERLAND Full review at http://www.operanederland.nl/Boeken%20Bjoering.htm Comparison between recordings and live performances . . . give great insight into the reasons why particular interpretations of the same piece can vary to an enormous degree. . . . Listing the recordings by composer is a stroke of genius and means that the reader can dip in and out without losing any continuity to the progression of Bjoerling's career. . . . Should be devoured by anyone interested in the art of singing. VOCALIMAGES Full review at http://vocalimages.com/?page_id=1097 An impressive documentation of Bjoerling's sound. . . . Lively language gives good flow to the many details in the book. KLASSISK MUSIKKMAGASIN [Ida Habbestad] Uncommonly successful. . . . Hastings is always specific, never resorting to vague poetics in passages of praise to describe work he likes, . . . Enrich[es] his findings by comparison with recordings of the same material from all ages[, e.g., Caruso, Pavarotti, and Alagna]. GRAMOPHONE [Mike Ashman, noted opera director] An exciting read about a beloved artist. . . .For the neophyte, it supplies an education in vocal terminology and history, and an unerring understanding of the voice and how it functions. . . . Compelling. OPERA NEWS [Ira Siff] By a long way the best critical discography of anyone I have encountered. . . Eloquent, jargon-free and incisive prose. Many acute remarks about conductors. . . . Illuminating [on Schubert songs]. . . . Truly an education. OPERA [Michael Tanner]