Song I Sing

Song I Sing

by Bao Phi (Author)

Synopsis

When it feels like no one
lets you live
at your own volume

You sing.

Dynamic and eye-opening, this debut by a National Poetry Slam finalist critiques an America sleepwalking through its days and explores the contradictions of race and class in America.

Bao Phi has been a National Poetry Slam finalist and appeared on HBO's Def Poetry. His poems and essays are widely published in numerous publications including 2006 Best American Poetry. Phi lives in Minneapolis, Minnesota, and works at the Loft Literary Center.

$17.06

Quantity

20 in stock

More Information

Format: Paperback
Pages: 170
Publisher: Coffee House Press
Published: 20 Sep 2011

ISBN 10: 1566892791
ISBN 13: 9781566892797
Book Overview:

  • Exclusive, early access finished books for booksellers, librarians, and media
  • Special targeted pitches to Asian American and Vietnamese American media and to spoken word bloggers/artists
  • Promotion through the author's Facebook page
  • Targeted course adoption promotion
  • Endorsers (potential): Douglas Kearney, David Mura, Billy Collins
  • Advertising: Poetry Project Newsletter, Poets & Writers
  • Promotion through Coffee House Press website, e-newsletter, and social media sites
  • Promotion at 2011 Asian Pacific Islander (APIA) Spoken Word & Poetry Summit and at the Association for Asian American Studies (AAA) conference.
  • Guest blogger on the Coffee House Press website.
  • Co-op available

  • Media Reviews

    Song I Sing will cleanse and free your mind; it is an American original. Phi's voice is singularly strong, rhythmic and rooted in the particularities of the Vietnamese American experience, in the urgencies of hip-hop and the cold raw edge of the poet's urban Midwestern roots where being a 'colored boy' makes finding the rainbow almost impossible. The engine is anger and clarity; the miracle the hope of witness and the power of poetry. - David Mura

    Bao Phi and Ed Bok Lee . . . comprise a local vanguard of Asian American literature, as poetic in their demolishing of stereotypes as they are determined. -- Minnesota Monthly
    If you see Bao Phi coming, you better do a gut check, and set your motherboard to receive. Anyone who has been lucky enough to experience his work knows he means to re-adjust our minds, unseat our comfortable assumptions, and teach our hearts to weep and sing. He is our grief-stricken brother howling, moaning, and wailing in remembrance of those who suffer because of inadequate representation. He is our ecstatic shaman, manifesting through his work the oldest sources of passion, imagination, and cosmic joy. Song I Sing is a gift. Thank you, Bao Phi. --Li-Young Lee
    Song I Sing will cleanse and free your mind; it is an American original. Phi's voice is singularly strong, rhythmic and rooted in the particularities of the Vietnamese American experience, in the urgencies of hip-hop and the c

    Song I Sing is [Phi's] first published book of poems. It was worth the wait. Even without his voice, his words are loud in all the right moments, and quiet when they need to be. . . . With struggle comes violence, and his chronicling of it is plentiful--from wars fought abroad to police shootings at home. But he can turn brutality into beautiful narrative on a dime. . . . And whether they are written in a book or spoken onstage, once you hear them they will stay locked in your head, always dancing. -- Minneapolis Star Tribune
    Song I Sing is an honest and raw dialogue about race against an urban backdrop. His poems pulsate off the page with solid rhythm and his passionate, activist voice. -- City Pages
    Bao Phi and Ed Bok Lee . . . comprise a local vanguard of Asian American literature, as poetic in their demolishing of stereotypes as they are determined. -- Minnesota Monthly
    If you see Bao Phi coming, you better do a gut check, and set your motherboa

    In this strong and angry work of what he calls refugeography, Bao Phi, who has been a performance poet since 1991, wrestles with immigration, class and race in America at sidewalk level. To hip-hop beats and the squeal and shriek of souped-up Celicas stalking the city streets, [Phi] rants and scowls at a culture in which Asians are invisible, but also scolds his peers 'Bleached by color-blind lies/Buying DKNY and Calvin Klein/So our own bodies are gentrified.'. . . In this song of his very American self, every poem Mr. Phi writes rhymes with the truth. -- The New York Times
    Song I Sing is [Phi's] first published book of poems. It was worth the wait. Even without his voice, his words are loud in all the right moments, and quiet when they need to be. . . . With struggle comes violence, and his chronicling of it is plentiful--from wars fought abroad to police shootings at home. But he can turn brutality into beautiful narrative on a dime. . . . And whether they are written in a book or spoken onstage, once you hear them they will stay locked in your head, always dancing. -- Minneapolis Star Tribune
    Song I Sing is an honest and raw dialogue about race against an urban backdrop. His poems pulsate off the page with solid rhythm and his passionate, activist voice. -- City Pages
    Bao Phi's long-awaited debut collection Song I Sing brings poetry back to the people like nothing else I've seen in Vietnamese American culture. . . . Phi is wry and witty observer of the registers and markers of inclusion and exclusion, with a deep affection for those who are often violently and mercilessly excluded. --Julie Thi Underhill, diaCRITICS
    If you see Bao Phi coming, you better do a gut check, and set your motherboard to receive. Anyone who has been lucky enough to experience his work knows he means to re-adjust our minds, unseat our comfortable assumptions, and teach our hearts to weep and sing. He is our grief-stricken brother howling, mo

    Featured in Young Poets Society in Mpls/St.Paul Magazine
    In this strong and angry work of what he calls refugeography, Bao Phi, who has been a performance poet since 1991, wrestles with immigration, class and race in America at sidewalk level. To hip-hop beats and the squeal and shriek of souped-up Celicas stalking the city streets, [Phi] rants and scowls at a culture in which Asians are invisible, but also scolds his peers 'Bleached by color-blind lies/Buying DKNY and Calvin Klein/So our own bodies are gentrified. . . . In this song of his very American self, every poem Mr. Phi writes rhymes with the truth. The New York Times
    Song I Sing is [Phi s] first published book of poems. It was worth the wait. Even without his voice, his words are loud in all the right moments, and quiet when they need to be. . . . With struggle comes violence, and his chronicling of it is plentiful -- from wars fought abroad to police shootings at home. But he can turn brutality into beautiful narrative on a dime. . . . And whether they are written in a book or spoken onstage, once you hear them they will stay locked in your head, always dancing. Minneapolis Star Tribune
    Phi deals with pain and injustice and spins it into potent, rhythmic poetry. . . Phi is one of the few contemporary writers, along with his close friend Douglas Kearney, that is equally proficient on the page and the stage. . His poems leave no stone unturned and urge us all to do the same. KCET
    Bao Phi and Ed Bok Lee . . . comprise a local vanguard of Asian American literature, as poetic in their demolishing of stereotypes as they are determined. Minnesota Monthly
    Warning: When reading Song I Sing by celebrated slam poet Bao Phi, be prepared to read out loud. The poems and their rhythmic repetitions beg to be spoken, not just read. Composed with rhythms that refuse to stay flat on the page, Song I Sing is a relentless anthem that breaks the proverbial silence about racial prejudice and violence against people of Vietnamese origin living in the United States. . . . A stunning work of sustained energy and rapturous hunger for acknowledgement, recovery and change, Song I Sing is essential reading for anyone invested in understanding the changing tropes of current American culture, and for anyone with a keen ear for the rhythms of discontent that appear on the street corners of the American urban landscape and find their way into the heart of the homeland.
    Phati'tude Literary Magazine
    Bao Phi s poetry is unabashedly and unwaveringly all about being Asian American in the old activist sense of the term. In Song I Sing, Bao Phi has something to say about being Asian American and an Asian American poet, and he says it in one astonishing poem after another. . . . . Song I Sing also rings with poems of love and unforgotten friendship, tributes to otherwise invisible immigrant parents, humanizing portraits of those who have lost or are losing but nonetheless growing up wiser in the face of existential despair. Phi gives voice to those who live beneath the radar of the American creed, but who have internalized that creed as much as the quotidian racism they endure.
    Lantern Review
    Song I Sing is an honest and raw dialogue about race against an urban backdrop. His poems pulsate off the page with solid rhythm and his passionate, activist voice. City Pages
    Bao Phi s long-awaited debut collection Song I Sing brings poetry back to the people like nothing else I ve seen in Vietnamese American culture. . . . Phi is wry and witty observer of the registers and markers of inclusion and exclusion, with a deep affection for those who are often violently and mercilessly excluded. diaCRITICS
    If you see Bao Phi coming, you better do a gut check, and set your motherboard to receive. Anyone who has been lucky enough to experience his work knows he means to re-adjust our minds, unseat our comfortable assumptions, and teach our hearts to weep and sing. He is our grief-stricken brother howling, moaning, and wailing in remembrance of those who suffer because of inadequate representation. He is our ecstatic shaman, manifesting through his work the oldest sources of passion, imagination, and cosmic joy. Song I Sing is a gift. Thank you, Bao Phi. Li-Young Lee
    Song I Sing will cleanse and free your mind; it is an American original. Phi s voice is singularly strong, rhythmic and rooted in the particularities of the Vietnamese American experience, in the urgencies of hip-hop and the cold raw edge of the poet s urban Midwestern roots, where being a colored boy makes finding the rainbow almost impossible. David Mura
    [ Song I Sing ] is an incredibly emotional journey through the issues that Bao exploresbut it s emotion that s grounded in quality writing and thoughtful political analysis, not just raw melodrama. . . . The best poetry is transformativeit breaks you down, changes you, makes you see the world in a new way. Song I Sing does that as well as any poetry book I ve ever read. It s gorgeously angry, laugh-out-loud funny and I even teared up a couple of times while reading it. Guante
    Phi knows tenderness. Isn't bruised flesh tender? He knows love, too-it is 'like a brick through glass: / first a riot / then fire / then nothing.' This explosive collection mourns their proximity to hate and insists we all do better, including Phi, himself. That's the jagged song he sings til his throat goes raw. Douglas Kearney
    Jagged yet tender, Bao Phi s poetry mixes rough-edged critiques of racism and imperialism with resolute optimism in the power of love and community. Deeply grounded in Asian American Studies, it eloquently calls for the forging of new ties and lives out of the ruins of America s 'war zones'both here in urban America and in Southeast Asia. Yen Le Espiritu
    Bao Phi is a careful observer and a sweeping documentarist, thebard of Vietnamese America. InS ong I Sing hepaintsvividportraits of the pride, pain, and perseverance of a people. A remarkable debut from a sure and important voice. Jeff Chang
    Every once in a long while, even a poetry-dullard like me has a poetic WOW!-moment. . . . Phi's work is racial, historical, political, sociological . . . most of all, even when he's subdued and thoughtful, Phi is angrypowerfully, elegantly, justifiably angry. BookDragon
    Anyone curious about how Vietnamese Americans are getting along in America should buy this book. The answer is here. The VVA Veteran

    Featured in Young Poets Society in Mpls/St.Paul Magazine

    In this strong and angry work of what he calls refugeography, Bao Phi, who has been a performance poet since 1991, wrestles with immigration, class and race in America at sidewalk level. To hip-hop beats and the squeal and shriek of souped-up Celicas stalking the city streets, [Phi] rants and scowls at a culture in which Asians are invisible, but also scolds his peers 'Bleached by color-blind lies/Buying DKNY and Calvin Klein/So our own bodies are gentrified.'. . . In this song of his very American self, every poem Mr. Phi writes rhymes with the truth. --The New York Times

    Song I Sing is [Phi's] first published book of poems. It was worth the wait. Even without his voice, his words are loud in all the right moments, and quiet when they need to be. . . . With struggle comes violence, and his chronicling of it is plentiful -- from wars fought abroad to police shootings at home. But he can turn brutality into beautiful narrative on a dime. . . . And whether they are written in a book or spoken onstage, once you hear them they will stay locked in your head, always dancing. --Minneapolis Star Tribune

    Phi deals with pain and injustice and spins it into potent, rhythmic poetry. . . Phi is one of the few contemporary writers, along with his close friend Douglas Kearney, that is equally proficient on the page and the stage. . His poems leave no stone unturned and urge us all to do the same. --KCET

    Bao Phi and Ed Bok Lee . . . comprise a local vanguard of Asian American literature, as poetic in their demolishing of stereotypes as they are determined. --Minnesota Monthly

    Warning: When reading Song I Sing by celebrated slam poet Bao Phi, be prepared to read out loud. The poems and their rhythmic repetitions beg to be spoken, not just read. Composed with rhythms that refuse to stay flat on the page, Song I Sing is a relentless anthem that breaks the proverbial silence about racial prejudice and violence against people of Vietnamese origin living in the United States. . . . A stunning work of sustained energy and rapturous hunger for acknowledgement, recovery and change, Song I Sing is essential reading for anyone invested in understanding the changing tropes of current American culture, and for anyone with a keen ear for the rhythms of discontent that appear on the street corners of the American urban landscape and find their way into the heart of the homeland.
    --Phati'tude Literary Magazine

    Bao Phi's poetry is unabashedly and unwaveringly all about being Asian American in the old activist sense of the term. In Song I Sing, Bao Phi has something to say about being Asian American and an Asian American poet, and he says it in one astonishing poem after another. . . . . Song I Sing also rings with poems of love and unforgotten friendship, tributes to otherwise invisible immigrant parents, humanizing portraits of those who have lost or are losing but nonetheless growing up wiser in the face of existential despair. Phi gives voice to those who live beneath the radar of the American creed, but who have internalized that creed as much as the quotidian racism they endure.
    --Lantern Review

    Song I Sing is an honest and raw dialogue about race against an urban backdrop. His poems pulsate off the page with solid rhythm and his passionate, activist voice. --City Pages

    Bao Phi's long-awaited debut collection Song I Sing brings poetry back to the people like nothing else I've seen in Vietnamese American culture. . . . Phi is wry and witty observer of the registers and markers of inclusion and exclusion, with a deep affection for those who are often violently and mercilessly excluded. --diaCRITICS

    If you see Bao Phi coming, you better do a gut check, and set your motherboard to receive. Anyone who has been lucky enough to experience his work knows he means to re-adjust our minds, unseat our comfortable assumptions, and teach our hearts to weep and sing. He is our grief-stricken brother howling, moaning, and wailing in remembrance of those who suffer because of inadequate representation. He is our ecstatic shaman, manifesting through his work the oldest sources of passion, imagination, and cosmic joy. Song I Sing is a gift. Thank you, Bao Phi. --Li-Young Lee

    Song I Sing will cleanse and free your mind; it is an American original. Phi's voice is singularly strong, rhythmic and rooted in the particularities of the Vietnamese American experience, in the urgencies of hip-hop and the cold raw edge of the poet's urban Midwestern roots, where being a 'colored boy' makes finding the rainbow almost impossible. --David Mura

    [Song I Sing] is an incredibly emotional journey through the issues that Bao explores--but it's emotion that's grounded in quality writing and thoughtful political analysis, not just raw melodrama. . . . The best poetry is transformative--it breaks you down, changes you, makes you see the world in a new way. Song I Sing does that as well as any poetry book I've ever read. It's gorgeously angry, laugh-out-loud funny and I even teared up a couple of times while reading it. --Guante

    Phi knows tenderness. Isn't bruised flesh tender? He knows love, too-it is 'like a brick through glass: / first a riot / then fire / then nothing.' This explosive collection mourns their proximity to hate and insists we all do better, including Phi, himself. That's the jagged song he sings til his throat goes raw. --Douglas Kearney

    Jagged yet tender, Bao Phi's poetry mixes rough-edged critiques of racism and imperialism with resolute optimism in the power of love and community. Deeply grounded in Asian American Studies, it eloquently calls for the forging of new ties and lives out of the ruins of America's 'war zones'--both here in urban America and in Southeast Asia. --Yen Le Espiritu

    Bao Phi is a careful observer and a sweeping documentarist, the bard of Vietnamese America. In Song I Sing he paints vivid portraits of the pride, pain, and perseverance of a people. A remarkable debut from a sure and important voice. --Jeff Chang

    Every once in a long while, even a poetry-dullard like me has a poetic WOW!-moment. . . . Phi's work is racial, historical, political, sociological . . . most of all, even when he's subdued and thoughtful, Phi is angry--powerfully, elegantly, justifiably angry. --BookDragon

    Anyone curious about how Vietnamese Americans are getting along in America should buy this book. The answer is here. --The VVA Veteran



    Featured in Young Poets Society in Mpls/St.Paul Magazine

    In this strong and angry work of what he calls refugeography, Bao Phi, who has been a performance poet since 1991, wrestles with immigration, class and race in America at sidewalk level. To hip-hop beats and the squeal and shriek of souped-up Celicas stalking the city streets, [Phi] rants and scowls at a culture in which Asians are invisible, but also scolds his peers 'Bleached by color-blind lies/Buying DKNY and Calvin Klein/So our own bodies are gentrified.'. . . In this song of his very American self, every poem Mr. Phi writes rhymes with the truth. --The New York Times

    Song I Sing is [Phi's] first published book of poems. It was worth the wait. Even without his voice, his words are loud in all the right moments, and quiet when they need to be. . . . With struggle comes violence, and his chronicling of it is plentiful -- from wars fought abroad to police shootings at home. But he can turn brutality into beautiful narrative on a dime. . . . And whether they are written in a book or spoken onstage, once you hear them they will stay locked in your head, always dancing. --Minneapolis Star Tribune

    Phi deals with pain and injustice and spins it into potent, rhythmic poetry. . . Phi is one of the few contemporary writers, along with his close friend Douglas Kearney, that is equally proficient on the page and the stage. . His poems leave no stone unturned and urge us all to do the same. --KCET

    Bao Phi and Ed Bok Lee . . . comprise a local vanguard of Asian American literature, as poetic in their demolishing of stereotypes as they are determined. --Minnesota Monthly

    Warning: When reading Song I Sing by celebrated slam poet Bao Phi, be prepared to read out loud. The poems and their rhythmic repetitions beg to be spoken, not just read. Composed with rhythms that refuse to stay flat on the page, Song I Sing is a relentless anthem that breaks the proverbial silence about racial prejudice and violence against people of Vietnamese origin living in the United States. . . . A stunning work of sustained energy and rapturous hunger for acknowledgement, recovery and change, Song I Sing is essential reading for anyone invested in understanding the changing tropes of current American culture, and for anyone with a keen ear for the rhythms of discontent that appear on the street corners of the American urban landscape and find their way into the heart of the homeland.
    --Phati'tude Literary Magazine

    Bao Phi's poetry is unabashedly and unwaveringly all about being Asian American in the old activist sense of the term. In Song I Sing, Bao Phi has something to say about being Asian American and an Asian American poet, and he says it in one astonishing poem after another. . . . . Song I Sing also rings with poems of love and unforgotten friendship, tributes to otherwise invisible immigrant parents, humanizing portraits of those who have lost or are losing but nonetheless growing up wiser in the face of existential despair. Phi gives voice to those who live beneath the radar of the American creed, but who have internalized that creed as much as the quotidian racism they endure.
    --Lantern Review

    Song I Sing is an honest and raw dialogue about race against an urban backdrop. His poems pulsate off the page with solid rhythm and his passionate, activist voice. --City Pages

    Bao Phi's long-awaited debut collection Song I Sing brings poetry back to the people like nothing else I've seen in Vietnamese American culture. . . . Phi is wry and witty observer of the registers and markers of inclusion and exclusion, with a deep affection for those who are often violently and mercilessly excluded. --diaCRITICS

    If you see Bao Phi coming, you better do a gut check, and set your motherboard to receive. Anyone who has been lucky enough to experience his work knows he means to re-adjust our minds, unseat our comfortable assumptions, and teach our hearts to weep and sing. He is our grief-stricken brother howling, moaning, and wailing in remembrance of those who suffer because of inadequate representation. He is our ecstatic shaman, manifesting through his work the oldest sources of passion, imagination, and cosmic joy. Song I Sing is a gift. Thank you, Bao Phi. --Li-Young Lee

    Song I Sing will cleanse and free your mind; it is an American original. Phi's voice is singularly strong, rhythmic and rooted in the particularities of the Vietnamese American experience, in the urgencies of hip-hop and the cold raw edge of the poet's urban Midwestern roots, where being a 'colored boy' makes finding the rainbow almost impossible. --David Mura

    [Song I Sing] is an incredibly emotional journey through the issues that Bao explores--but it's emotion that's grounded in quality writing and thoughtful political analysis, not just raw melodrama. . . . The best poetry is transformative--it breaks you down, changes you, makes you see the world in a new way. Song I Sing does that as well as any poetry book I've ever read. It's gorgeously angry, laugh-out-loud funny and I even teared up a couple of times while reading it. --Guante

    Phi knows tenderness. Isn't bruised flesh tender? He knows love, too-it is 'like a brick through glass: / first a riot / then fire / then nothing.' This explosive collection mourns their proximity to hate and insists we all do better, including Phi, himself. That's the jagged song he sings til his throat goes raw. --Douglas Kearney

    Jagged yet tender, Bao Phi's poetry mixes rough-edged critiques of racism and imperialism with resolute optimism in the power of love and community. Deeply grounded in Asian American Studies, it eloquently calls for the forging of new ties and lives out of the ruins of America's 'war zones'--both here in urban America and in Southeast Asia. --Yen Le Espiritu

    Bao Phi is a careful observer and a sweeping documentarist, the bard of Vietnamese America. In Song I Sing he paints vivid portraits of the pride, pain, and perseverance of a people. A remarkable debut from a sure and important voice. --Jeff Chang

    Every once in a long while, even a poetry-dullard like me has a poetic WOW!-moment. . . . Phi's work is racial, historical, political, sociological . . . most of all, even when he's subdued and thoughtful, Phi is angry--powerfully, elegantly, justifiably angry. --BookDragon

    Anyone curious about how Vietnamese Americans are getting along in America should buy this book. The answer is here. --The VVA Veteran

    Author Bio
    A performance poet since 1991, Bao Phi has been a National Poetry Slam finalist and appeared on HBO's Def Poetry. His poems and essays are widely published in numerous publications including 2006 Best American Poetry, Screaming Monkeys, and Spoken Word Revolution Redux. He has also released several CDs of his poetry, including Refugeography and, most recently, The Nguyens EP. A performer on stages around the world and across the country, Bao works at the Loft Literary Center in Minneapolis, where he curates programs for artists and audiences of color. Song I Sing is his first poetry collection in print.