Art and Resistance in Germany (Visual Cultures and German Contexts)

Art and Resistance in Germany (Visual Cultures and German Contexts)

by Deborah Ascher Barnstone (Editor), ElizabethOtto (Editor)

Synopsis

In light of the recent rise of right-wing populism in numerous political contexts and in the face of resurgent nationalism, racism, misogyny, homophobia, and demagoguery, this book investigates how historical and contemporary cultural producers have sought to resist, confront, confound, mock, or call out situations of political oppression in Germany, a country which has seen a dramatic range of political extremes during the past century. While the current turn to nationalist populism is global, it is perhaps most disturbing in Germany, given its history with its stormy first democracy in the interwar Weimar Republic; its infamous National Socialist (Nazi) period of the 1930s and 1940s; and its split Cold-War existence, with Marxist-Leninist Totalitarianism in the German Democratic Republic and the Federal Republic of Germany's barely-hidden ties to the Nazi past. Equally important, Germans have long considered art and culture critical to constructions of national identity, which meant that they were frequently implicated in political action. This book therefore examines a range of work by artists from the early twentieth century to the present, work created in an array of contexts and media that demonstrates a wide range of possible resistance.

$199.96

Quantity

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More Information

Format: Hardcover
Pages: 288
Publisher: Bloomsbury Academic USA
Published: 01 Nov 2018

ISBN 10: 1501344862
ISBN 13: 9781501344862
Book Overview: Explores how cultural producers have resisted, confounded, mocked, or called out diverse forms of political oppression in Germany.

Media Reviews
Art and Resistance in Germany is an excellent volume that addresses the complex question of art's power to resist political, economic, and social forms of domination. Taking us from the Weimar Republic to today, the essays complement each other as an exploration of the variety of definitions of resistance as it applies to culture. In the process, the authors also analyze canonical German artists and artworks anew as well as introduce us to entirely innovative works of art. From Grosz and Dix through Wilms and Hallmann's Topography of Terror, the book is a fascinating intervention into the analysis of art and politics that has continued relevancy and increased urgency today. * Paul B. Jaskot, Professor of Art History, Duke University, USA *
This collection of originally researched essays sheds new light on art in and as resistance across Germany's long twentieth century, providing a critical vocabulary for the analysis of art as politics and politics as artistic expression from the Weimar and Nazi periods to contemporary movements against right-wing nationalism. This volume will be indispensable in understanding Germany's particular place in the landscape of artistic resistance, from everyday registers of artistic action to the high art of leading sculptors and painters, graphic and collage artists, filmmakers and architects. * Kathleen Canning, Dean of the School of Humanities, Rice University, USA *
Author Bio
Deborah Ascher Barnstone is professor of architecture at University of Technology Sydney, Australia. She isco-commissing editor of the German Visual Culture Series and on the editorial board of The Art Journal of the Art Association of Australia and New Zealand. Barnstone's primary research interests are in the origins of classical modernism and exploring the relationships between art, architecture, and culture more broadly. New books are The Break with the Past: German Avant-garde Architecture, 1910-1925 (2017) and Beyond the Bauhaus: Cultural Debates in Weimar Breslau, 1918-1933 (2016). Elizabeth Otto is Associate Professor of Art History and Visual Studies, State University of New York at Buffalo, USA