Tori Amos's Boys for Pele: 135 (33 1/3)

New
Paperback
2018
$12.28

It's hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos. Amy Gentry argues that these violent aesthetic responses to Amos's performance, both positive and negative, are organized around disgust-the disgust that women are taught to feel, not only for their own bodies, but for their taste in music. Released in 1996, Amos's third album, Boys for Pele, represents the height of Amos's willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange. Using a blend of memoir, criticism, and aesthetic theory, Gentry argues that the aesthetics of disgust are useful for thinking in a broader way about women's experience of all art forms.

Synopsis

It's hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos. Amy Gentry argues that these violent aesthetic responses to Amos's performance, both positive and negative, are organized around disgust-the disgust that women are taught to feel, not only for their own bodies, but for their taste in music. Released in 1996, Amos's third album, Boys for Pele, represents the height of Amos's willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange. Using a blend of memoir, criticism, and aesthetic theory, Gentry argues that the aesthetics of disgust are useful for thinking in a broader way about women's experience of all art forms.

$12.28

Save:$1.00 (8%)

Quantity

2 in stock

More Information

Format: Paperback
Pages: 144
Edition: 1
Publisher: Bloomsbury Academic
Published: 01 Nov 2018
ISBN 10: 1501321315
ISBN 13: 9781501321313
Book Overview: A compelling study of Tori Amos's landmark album and its relation to the concept of disgust.

Media Reviews

In this remarkable book Amy Gentry pulls off such fearless feats of feminist criticism I found myself hollering Yes! out loud, dog-earing and underlining entire passages. She dives deep into why we consider certain women and their art simply too much, and examines her own love and trepidation for Tori Amos' work with relentless, righteous curiosity. This is an essential read, a barnburner of a book for anyone who thinks deeply about music and the people who make it. * Jessica Hopper, author of The First Collection of Criticism by a Living Female Rock Critic *

Author Bio

Amy Gentry is the author of the thriller Good as Gone, a New York Times Book Review Editors' Choice. She is also a book reviewer and essayist whose work has appeared in numerous outlets, including the Chicago Tribune, Salon, The Paris Review, the Los Angeles Review of Books, and The Austin Chronicle. Amy has a doctorate in English and lives in Austin, Texas.