by Duncan Petrie (Composer), Melanie Williams (Composer), Laura Mayne (Composer), Melanie Williams (Composer), Richard Farmer (Author), Laura Mayne (Composer), Duncan Petrie (Composer)
Half a century on, the fascination with the 1960s continues to generate strong intellectual and emotional responses - both positive and negative - and this is no less true in the arena of film. Making substantial use of a range of new and underexplored archive resources that provide a wealth of new information, insight and knowledge on the period in question, this book brings fresh perspectives on the major resurgence of creativity and international appeal experienced by British cinema in the 1960s.
Format: Paperback
Pages: 416
Publisher: Edinburgh University Press
Published: 30 Apr 2019
ISBN 10: 1474423124
ISBN 13: 9781474423120
Laura Mayne is a Post-Doctoral Research Associate on the Transformation and Tradition in Sixties British Cinema project, based at the University of York.
Duncan Petrie is Professor of Film at the University of York. He has written and edited numerous books on British and Scottish Cinema including Creativity and Constraint in the British Film Industry, The British Cinematographer and Screening Scotland.
Melanie Williams is Lecturer in Film Studies at the University of East Anglia. She has published work on British cinema in many journals and edited collections and is the author of Prisoners of Gender: Women in the Films of J. Lee Thompson and the co-editor of British Women's Cinema, Ealing Revisited and Mamma Mia! The Movie: Exploring a Cultural Phenomenon.
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