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The Apocalypse in Film: Dystopias, Disasters, and Other Visions About the End of the World

The Apocalypse in Film: Dystopias, Disasters, and Other Visions About the End of the World

by Angela Krewani (Editor), Angela Krewani (Editor), Karen A. Ritzenhoff (Editor)

  • New

    Hardcover 2015

    $102.79
Synopsis

Apart from well-established Hollywood blockbusters that imagine the end of the world, there is a new wave of zombie narratives and independent films about Armageddon that were released around the predicted Maya calendar's apocalypse in 2012. This volume offers an overview of the depiction of the Apocalypse in film past to present, and the essays discuss how the films reflect social anxieties that are linked to economic, ecological, and cultural factors.

$102.79

Quantity

20 in stock

More Information

Format: Hardcover
 Pages: 254
 Publisher: Rowman & Littlefield Publishers
Published: 31 Dec 2015
ISBN 10: 1442260270
ISBN 13: 9781442260276

Media Reviews
Ritzenhoff and Krewani introduce and present essays on the `filmic and narrative representations of contemporary catastrophes,' including television programs, digital media, and even action figures associated with those media. Since `apocalypse' can mean different things-destruction, devastation, disaster, revelation-the contributors of the 15 essays go in a variety of directions in exploring their subjects. Several essays treat Lars von Trier's Melancholia (2011), an international art film that renewed critical interest in apocalyptic cinema. Other films covered include The Four Horsemen of the Apocalypse (Rex Ingram, 1921), Dr. Strangelove (Stanley Kubrick, 1964), and The Sacrifice (Andrei Tarkovsky, 1986). Also considered are zombies in Night of the Living Dead (George Romero, 1968) and The Walking Dead (Frank Darabont, 2010). An intriguing essay by Frederick Wasser shows how producer Irwin Allen's disaster films (e.g., The Towering Inferno, 1974) were rendered obsolete by Steven Spielberg's Jaws (1975). This collection joins Kristen Moana Thompson's Apocalyptic Dread: American Film at the Turn of the Millennium (CH, Nov'07, 45-1383), another readable, exciting work on films about last things. Film stills are well chosen. Summing Up: Recommended. All readers. * CHOICE *
One whose interest in cinema transcends mere entertainment may find this collection of theories and analyses quite fascinating. * Free Kittens Movie Guide *
From the cruel winds of austerity to the savage songs of war and terror, the end of times proclamations surround us. Our cinema is filled with the rubble of catastrophe and our stories with the characters of nihilism and annihilation. In this incredibly timely and wonderfully structured collection on the apocalypse, chaos and catastrophe are examined across the history of film and through a remarkably interesting set of themes. From the war film to the science fiction spectacle, from the melancholia of dark dystopias to the hungriness of the zombie film, we see the world ending, and with it a present already dead and a future not yet born. Each chapter is filled with insightful textual and contextual analysis as the dead skin of past and present decompose and recompose before us. A must read and must have collection for those interested in the chaos within cinema. -- Sean Redmond, Deakin University
Using the depiction of human-made catastrophe in more than a century of apocalyptic film-making the authors of this first-rate, edited volume analyze political, social, racial, gender, religious, and ecological problems threatening the real world-often in different ways than presented in movies. This book is an excellent example of contemporary scholars looking at popular culture, here motion pictures, as at times reflecting and more often disregarding reality. -- Brigitte Nacos, Columbia Univeristy
This collection of essays, edited by Karen A. Ritzenhoff and Angela Krewani, accounts for the omnipresence of the apocalypse in English-language cinema, a motif which represents a particularly potent allegory in our globalized world. I was very much impressed by the sheer novelty and range of the in-depth explorations the book offers. -- David Roche, Universite Toulouse - Jean Jaures
Author Bio
Karen A. Ritzenhoff is professor in the Department of Communication at Central Connecticut State University and is also affiliated with the Women, Gender and Sexuality Studies Program. She is the co-editor of Screening the Dark Side of Love: From Euro-Horror to American Cinema (2012) and Selling Sex on Screen: From Weimar Cinema to Zombie Porn (Rowman & Littlefield, 2015). Angela Krewani is professor for Media Studies at Philipps University in Marburg, Germany. She is the co-editor of Hollywood - Recent Developments (2005) and McLuhan's Global Village Today (2014).