The Cultural Industries

The Cultural Industries

by ProfDavidHesmondhalgh (Author)

Synopsis

'The first edition of The Cultural Industries moved us irrevocably past the tired debates between political economy and cultural studies approaches. This second edition takes on new and vital targets, for example claims that the Internet is replacing television in everyday media consumption.... In the process, Hesmondhalgh provides us with an essential toolkit for making critical sense of the digital media age, and our places within it' - Nick Couldry, Goldsmiths College, University Of London

'This book sets a valuable standard for communication studies. Hesmondhalgh integrates cultural research with political economy, organizational sociology with public communication policy studies, global with comparative analysis, and intellectual property law with technology changes. I've successfully taught graduate and undergraduate courses in the USA and France using the first edition, and this one is better still' - John D.H. Downing, Global Media Research Centre, Southern Illinois University

Praise for the first edition:

'This lucid, careful and sophisticated book orders the entire field, for the US as well as Europe, and at one stroke becomes the state of the art, the standard' - Todd Gitlin, Columbia University, USA

This book is a powerful antidote to journalistic hype about change in the cultural industries. Significantly expanding, updating and revising an acclaimed first edition published in 2002, it

* analyses how, why and in what ways cultural production has changed since the 1980s

* guides the reader through existing approaches

* scrutinises facts and debates about the role of culture and creativity in modern societies

* provides new material on copyright, cultural policy, celebrity power, the digital distribution of music and many other issues

Like its predecessor, this exciting new edition of The Cultural Industries places transformation in the cultural industries in long-term political, economic and cultural context. In doing so, Hesmondhalgh offers a distinctive critical approach to cultural production, drawing on political economy perspectives, but also on cultural studies, sociology and social theory.

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Quantity

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More Information

Format: Paperback
Pages: 360
Edition: Second
Publisher: Sage Publications Ltd
Published: 03 Apr 2007

ISBN 10: 1412908086
ISBN 13: 9781412908085

Media Reviews
The first edition of The Cultural Industries moved us irrevocably past the tired debates between political economy and cultural studies approaches. This second edition takes on new and vital targets, for example claims that the Internet is replacing television in everyday media consumption.... In the process, Hesmondhalgh provides us with an essential toolkit for making critical sense of the digital media age, and our places within it
Nick Couldry
Goldsmiths College, University Of London

This book sets a valuable standard for communication studies. Hesmondhalgh integrates cultural research with political economy, organizational sociology with public communication policy studies, global with comparative analysis, and intellectual property law with technology changes. I've successfully taught graduate and undergraduate courses in the USA and France using the first edition, and this one is better still
John D.H. Downing
Global Media Research Centre, Southern Illinois University

Author Bio
David Hesmondhalgh is Professor of Media, Music and Culture in the School of Media and Communication at the University of Leeds. He is the author (with Kate Oakley, David Lee and Melissa Nisbett) of Culture, Economy and Politics: the Case of New Labour (Palgrave, 2015), Why Music Matters (Wiley-Blackwell, 2013), Creative Labour: Media Work in Three Cultural Industries (Routledge, 2011, co-written with Sarah Baker) and The Cultural Industries, now in its third edition (SAGE, 2013). He is also editor or co-editor of seven books and journal special issues, including The Media and Social Theory (with Jason Toynbee, Routledge, 2008) and (with Anamik Saha) a special issue of the journal Popular Communication on Race, Ethnicity and Cultural Production (2013).