The Lost Child

by JulieMyerson (Author)

• Used

  Paperback
  2009

  $3.25

  One bleak, late winter's day, Julie Myerson finds herself in a graveyard, looking for traces of a young woman who died nearly two centuries before. As a child in Regency England, Mary Yelloly painted an exquisite album of watercolours that uniquely reflected the world she lived in. But Mary died at the age of twenty-one, and when Julie comes across this album, she is haunted by the potential never realised, the barely-lived life cut short. And most of all, she is reminded of her own child. Because only days earlier, Julie and her husband locked their eldest son out of the family home. He was just seventeen. How could it have come to this? After a happy growing-up, it had taken only a matter of months for this bright, sweet, good-humoured boy to completely lose his way and propel his family into daily chaos. He had discovered cannabis and was now smoking it everyday - and nothing they could say or do, no help they could offer, seemed to reach him. And Julie - whose emotionally fragile relationship with her own father had left her determined to love her children better - had to accept that she was, for the moment at least, powerless to bring back the boy she had known. Honest, warm and often profoundly upsetting, this is the parallel story of a girl and a boy separated by centuries. The circumstances are very different, but the questions remain terrifyingly the same. What happens when a child disappears from a family? What will survive of any of us in memory or in history? And how is a mother to cope when love - however absolute, however unconditional - is not enough to save her child?

• Used

  Paperback
  2009

  $3.25

  'Urgent and vivid A serious, writerly, self-critical account of what it means to feel that, despite love and hope and good intentions, you have failed as a parent, and that the child you bore (while still eerily, painfully familiar) is lost to you. Which is not the same thing as saying that it is the complete truth. Art can only ever hope to present a version of the truth. And this is what Julie Myerson has done' Daily Telegraph 'An aching, empty-nest memoir: a mother mourning for her uncomplicated little children, now grown, whom she could care for, write about without comeback, love - and control'The Times Myerson's motivation is anything but base. She could have disguised her material in a novel, but she wanted to make sense of reality, to understand the chaos that has taken over her family. She wanted to help others, herself and her son Any family for whom cannabis has been a wrecker, even if they would not dream of exposing their situation in the same way Myerson has, will be grateful to her for having done so. She may have been rash, but she has also been courageous. She has tried to write honestly about a nightmarish situation and a subject that never seems to get the attention it deserves' Observer 'Yelloly, however ephemeral, fulfils a function - she is a lost girl, one who cannot be revived, from a family ravaged by that Victorian scourge, consumption. And Myerson's real, parallel lament is for a child who falls victim to our modern version of consumption - the slow ruination of a much-loved child through drugs gripping' Financial Times 'A campaigning book If the question is whether a woman has a right to tell a story that is also, actually, her own - a book reviewer can only say yes. And add that anyone who reads it will struggle not to be profoundly moved' Independent

• Used

  Hardcover
  2009

  $3.25

  One bleak, late winter's day, Julie Myerson finds herself in a graveyard, looking for traces of a young woman who died nearly two centuries before. As a child in Regency England, Mary Yelloly painted an exquisite album of watercolours that uniquely reflected the world she lived in. But Mary died at the age of twenty-one, and when Julie comes across this album, she is haunted by the potential never realised, the barely-lived life cut short. And most of all, she is reminded of her own child. Because only days earlier, Julie and her husband locked their eldest son out of the family home. He was just seventeen. How could it have come to this? After a happy growing-up, it had taken only a matter of months for this bright, sweet, good-humoured boy to completely lose his way and propel his family into daily chaos. He had discovered cannabis and was now smoking it everyday - and nothing they could say or do, no help they could offer, seemed to reach him. And Julie - whose emotionally fragile relationship with her own father had left her determined to love her children better - had to accept that she was, for the moment at least, powerless to bring back the boy she had known. Honest, warm and often profoundly upsetting, this is the parallel story of a girl and a boy separated by centuries. The circumstances are very different, but the questions remain terrifyingly the same. What happens when a child disappears from a family? What will survive of any of us in memory or in history? And how is a mother to cope when love - however absolute, however unconditional - is not enough to save her child?

• New

  Paperback
  2009

  $10.31

  'Urgent and vivid A serious, writerly, self-critical account of what it means to feel that, despite love and hope and good intentions, you have failed as a parent, and that the child you bore (while still eerily, painfully familiar) is lost to you. Which is not the same thing as saying that it is the complete truth. Art can only ever hope to present a version of the truth. And this is what Julie Myerson has done' Daily Telegraph 'An aching, empty-nest memoir: a mother mourning for her uncomplicated little children, now grown, whom she could care for, write about without comeback, love - and control'The Times Myerson's motivation is anything but base. She could have disguised her material in a novel, but she wanted to make sense of reality, to understand the chaos that has taken over her family. She wanted to help others, herself and her son Any family for whom cannabis has been a wrecker, even if they would not dream of exposing their situation in the same way Myerson has, will be grateful to her for having done so. She may have been rash, but she has also been courageous. She has tried to write honestly about a nightmarish situation and a subject that never seems to get the attention it deserves' Observer 'Yelloly, however ephemeral, fulfils a function - she is a lost girl, one who cannot be revived, from a family ravaged by that Victorian scourge, consumption. And Myerson's real, parallel lament is for a child who falls victim to our modern version of consumption - the slow ruination of a much-loved child through drugs gripping' Financial Times 'A campaigning book If the question is whether a woman has a right to tell a story that is also, actually, her own - a book reviewer can only say yes. And add that anyone who reads it will struggle not to be profoundly moved' Independent