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Gundog (Modern Plays)

Gundog (Modern Plays)

by SimonLongman (Author), Simon Longman (Author)

  • New

    Paperback 2018

    $18.93
Synopsis

Land beneath our feet. Got all our blood inside it hasn't it? All that time. Belongs to us. On a farm in the middle of nowhere, sisters Becky and Anna try to hold their family together after the death of their mother. Time is always moving somewhere - but here it's very quiet. When they discover a stranger wandering aimlessly across the land, the three establish an unlikely partnership in their determination to survive. Simon Longman's Royal Court debut premiered at the Jerwood Theatre Upstairs in February 2018.

$18.93

Quantity

20+ in stock

More Information

Format: Paperback
 Pages: 128
 Publisher: Methuen Drama
Published: 31 Jan 2018
ISBN 10: 1350068772
ISBN 13: 9781350068773
Book Overview: A black thriller about two sisters struggling to keep their family together who find themselves challenged when a stranger enters their land.

Media Reviews
A moving new play about the importance of family . . . a beautifully low-key family drama that purrs with feeling. . . . Simon Longman's sparkling new play . . . Longman's dialogue flows like water: it's natural and fresh and ripples with energy. . . . packed with subtle moments that brim with bruised meaning. . . . the despair and joy, loneliness and connection, which family can provide is bundled up in the very fabric of this show. * Time Out London on Sparks *
Words pour out in a torrent in this new play by former Royal Court Young Writer Simon Longman. . . . A funny, dreamlike, but also achingly sad, new play about loss, hurt and the ties that bind us. * The Stage on Sparks *
Capturing the restless uncertainty of youth with realistic undertones and yet presented with a gentle sense of surrealism, Milked is a play that delivers on several levels. * British Theatre Guide on Milked *
Longman plays with the past and present and the unchanging cycles that tie the family to the land. This is a compelling, unforgiving glimpse into rural life, and one in which there is not a single fluffy, gambolling lamb in sight. * Guardian *
The flinty humour that glints through Longman's script is evident from the opening scene . . . With a fine, rhythmic insistence, [the play] eloquently raises many existential questions . . . [T]he author has firm control of the poetry and humour. If one definition of talent is the ability to dictate the terms on which an audience receives your work, Longman must be accounted a playwright of distinct promise. * Independent *
[A]n earthy immediacy and prickly dialogue * Evening Standard *
[A]n unlikely humour that makes me think of Chekhov, muddied over with the realities of 21st century rural poverty . . . Longman's Royal Court debut is a powerful antidote to chirpy, 'The Archers'-style depictions of 21st century agriculture as a problem that can be solved with organic sausage roll enterprises or positive thinking. Becky and Anna know they're out of step with the times and [Longman's] play captures their slow disintegration as the world keeps turning. * Time Out London *
The scenario is surreal, the writing pithy, often poetic, with echoes of Beckett and Caryl Churchill * Sunday Times *
Longman, a former writer in residence at rural touring company Pentabus, has an evident affinity for the agrarian - the seasons and cycles of life, the intermingling of blood and soil . . . Longman's writing has a woozy, dreamlike quality * The Stage *