Theorizing Film Acting (Routledge Advances in Film Studies)

New
Illustrated
2015
$44.53

This comprehensive collection provides theoretical accounts of the grounds and phenomenon of film acting. The volume features entries by some of the most prominent scholars on film acting who collectively represent the various theoretical traditions that constitute the discipline of film studies. Each section proposes novel ways of considering the recurring motifs in academic enquiries into film acting, including: (1) the mutually contingent problematic of description and interpretation, (2) the intricacies of bodily dynamics and their reception by audiences, (3) the significance of star performance, and (4) the impact of evolving technologies and film styles on acting traditions.

Synopsis

This comprehensive collection provides theoretical accounts of the grounds and phenomenon of film acting. The volume features entries by some of the most prominent scholars on film acting who collectively represent the various theoretical traditions that constitute the discipline of film studies. Each section proposes novel ways of considering the recurring motifs in academic enquiries into film acting, including: (1) the mutually contingent problematic of description and interpretation, (2) the intricacies of bodily dynamics and their reception by audiences, (3) the significance of star performance, and (4) the impact of evolving technologies and film styles on acting traditions.

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More Information

Format: Illustrated
Pages: 328
Edition: 1
Publisher: Routledge
Published: 25 Jun 2015
ISBN 10: 1138922153
ISBN 13: 9781138922150

Media Reviews

This book successfully bridges the gap between the non-specialist's experience of film acting and the film theorist's analysis of that experience. Moreover, because the book acknowledges and respects filmgoers, it allows them, in turn, to acknowledge and respect film theorists. And this is a remarkable achievement.

--Richard Brestoff, University of California, Irvine

Given the powerful influence that film acting has on our communities, Theorizing Film Acting strikes me as a moral imperative for all those wishing to encourage reflection on a cultural force that continues to shape our psyches.

--Mary Angiolillo, FAMU, Prague

Author Bio

Aaron Taylor is an Assistant Professor in the Department of New Media at the University of Lethbridge. His recent publications on film acting can be found in Quarterly Review of Film and Video (2012), Acting and Performance in Moving Image Culture (2012), and Stages of Reality: Theatricality in Cinema (2011). He has recently written on It's a Wonderful Life for the Cultographies series.