Paul Dukas: Legacies of a French Musician (Routledge Research in Music)

Paul Dukas: Legacies of a French Musician (Routledge Research in Music)

by Laura Watson (Editor), HelenJuliaMinors (Editor)

Synopsis

This book appraises the contribution of Paul Dukas (1865-1935) to a wide variety of French musical practices. As a composer, critic, artistic collaborator and teacher, Dukas was central to the fin-de-siecle and early twentieth-century Paris musical scene (and more broadly to the French scene). Significantly, his compositional style mediated past tradition through the modern language of his present, while his critical writings pioneered a new mode of musical discourse in the French press. Of further interest are Dukas's professional relationships with iconic figures such as Gabriel Faure and Claude Debussy, and his role in fostering the next generation of French composers. In addition to mentoring famous names such as Olivier Messiaen and Tony Aubin, he staunchly supported his female students, notably Elsa Barraine, Claude Arrieu and Yvonne Desportes. This unique essay collection offers a panoramic perspective on a comparatively neglected French musician. Paul Dukas: Legacies of a French Musician traces two aspects of his work: Part One treats Dukas as a composer, thinker and artistic collaborator; Part Two constructs his intellectual legacy as seen in his creative and pedagogic endeavours. This book is essential reading for anyone interested in fin-de-siecle and early twentieth-century French music, women in French music, music criticism and composition education in the Paris Conservatoire.

$141.56

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More Information

Format: Hardcover
Pages: 216
Edition: 1
Publisher: Routledge
Published: 22 Apr 2019

ISBN 10: 1138573248
ISBN 13: 9781138573246

Author Bio
Helen Julia Minors is Head of Department of Music and Associate Professor of Music at Kingston University, London. She is chair of the National Association for Music in Higher Education, UK. Her research interests span French music of the fin-de-siecle and twentieth century, including Dukas, Debussy, Ravel and Lili Boulanger, with a particular interest in music and dance; improvisation approaches, notably utilising the signed gestural language known as Soundpainting; and her work on music and translation which explores the transfer of sense across contemporary arts and media, including work on Benjamin Britten. Publications include: Music, Text and Translation (2013); book chapters in Bewegungen zwischen Hoeran und Sehen (2012), La musique francaise: esthetique et identite en mutation 1892-1992 (2012), Erik Satie: Art, Music and Literature (2013), The Routledge international handbook of intercultural arts research (2016) and Historical Interplay in French Music and Culture (2017); articles in The Opera Quarterly (2006), Dance Research (2009), Ars Lyrica (2011), Les Cahiers de la Societe quebecoise de recherche en musique (2012), Choreologica, the Journal of European Association of Dance Historians (2013), London Review if Education (2017). Laura Watson is Lecturer in Music at Maynooth University. Her research interests span French art music of the fin-de-siecle and early twentieth century, women in twentieth-century music, and the historiography of popular music. She has published an article on Dukas's artistic response to World War 1 in the Musical Times (2010), edited Dukas's early critical writings for the Francophone Music Criticism Digital Repository, and chaired the international conference `Music, Intertextuality and Inter-Art Forms in Third Republic France' at Maynooth University in 2015 in honour of Dukas's 150th anniversary. Other recent publications include the chapter `Ireland in the Musical Imagination of Third Republic France' in France and Ireland: Notes and Narratives (2015) and the article `Epitaph for a Musician: Rhoda Coghill as Pianist, Composer and Poet' in the Journal of the Society for Musicology in Ireland 11 (2015 - 16).