Photojournalism and the Origins of the French Writer House Museum (1881-1914): Privacy, Publicity, and Personality (The Histories of Material Culture and Collecting, 1700-1950)

Photojournalism and the Origins of the French Writer House Museum (1881-1914): Privacy, Publicity, and Personality (The Histories of Material Culture and Collecting, 1700-1950)

by ElizabethEmery (Author), Elizabeth Emery (Author)

Synopsis

Why did writers' private homes become so linked to their work that contemporaries began preserving them as museums? Photojournalism and the Origins of the French Writer House Museum addresses this and other questions by providing an overview of the social forces that brought writers' homes to the forefront of the French imagination at the end of the nineteenth century and the beginning of the twentieth. This study analyzes representations of the apartments and houses of Corneille, Hugo, Balzac, Dumas, Sand, Zola, Loti, Montesquiou, Mallarme, and Proust, among others, arguing that the writer's home became a contested space and an important part of the French patrimony at this time. This is the first book to emphasize the house museum as an essentially modern construct, and to trace the history of ideas leading to its institutionalization in twentieth-century France. The interdisciplinary study also brings new attention to the importance of photojournalism for fin-de-siecle France - and brings to light fascinating and forgotten examples of 'at home' photography by Dornac and Henri Mairet. Elizabeth Emery provides a fresh and compelling perspective on conjunctions between visual, literary, and material cultures.

$69.82

Quantity

10 in stock

More Information

Format: Paperback
Pages: 280
Edition: 1
Publisher: Routledge
Published: 11 Nov 2016

ISBN 10: 1138251569
ISBN 13: 9781138251564

Author Bio
Elizabeth Emery is Professor of French in the Department of Modern Languages and Literatures at Montclair State University, USA.