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Synchronization and Title Sequences: Audio-Visual Semiosis in Motion Graphics (Routledge Studies in Media Theory and Practice)

Synchronization and Title Sequences: Audio-Visual Semiosis in Motion Graphics (Routledge Studies in Media Theory and Practice)

by Michael Betancourt (Author)

  • New

    Illustrated 2017

    $66.30
Synopsis

Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals-from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)-author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics' use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.

$66.30

Quantity

5 in stock

More Information

Format: Illustrated
 Pages: 154
 Edition: 1
 Publisher: Routledge
Published: 18 May 2017
ISBN 10: 1138085065
ISBN 13: 9781138085060

Author Bio
Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage, Glitch Art in Theory and Practice, Semiotics and Title Sequences, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, German, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make Magazine, CTheory, and Leonardo.