The Cambridge Haydn Encyclopedia

The Cambridge Haydn Encyclopedia

by Caryl Clark (Editor), SarahDay-O'Connell (Editor), Sarah Day-O'Connell (Editor), Caryl Clark (Editor)

Synopsis

For well over two hundred years, Joseph Haydn has been by turns lionized and misrepresented - held up as celebrity, and disparaged as mere forerunner or point of comparison. And yet, unlike many other canonic composers, his music has remained a fixture in the repertoire from his day until ours. What do we need to know now in order to understand Haydn and his music? With over eighty entries focused on ideas and seven longer thematic essays to bring these together, this richly-illustrated encyclopedia offers a new perspective on Haydn and the many cultural contexts in which he worked and left his indelible mark during the Enlightenment and beyond. With contributions from sixty-seven scholars and performers in Europe, the Americas, and Oceania, this distinctive encyclopedia captures the vitality of Haydn studies today - its variety of perspectives and methods - and ultimately inspires further exploration of one of western music's most innovative and influential composers.

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More Information

Format: Hardcover
Pages: 520
Publisher: Cambridge University Press
Published: 09 May 2019

ISBN 10: 110712901X
ISBN 13: 9781107129016

Author Bio
Caryl Clark is Professor of Music History and Culture at the Faculty of Music, University of Toronto, and a Fellow of Trinity College. Editor of the Cambridge Companion to Haydn (Cambridge, 2005), and author of Haydn's Jews: Representation and Reception on the Operatic Stage (Cambridge, 2009). Her research interests include Enlightenment aesthetics, Haydn, interdisciplinary opera studies, Orpheus, and the politics of musical reception - all generously funded by the Social Sciences and Humanities Research Council of Canada. Sarah Day-O'Connell is Associate Professor in the Department of Music at Skidmore College, New York, where she also serves as Associate Chair. A recipient of the Pauline Alderman Award for Outstanding Scholarship on Women and Music, she has held research fellowships at Yale University, Connecticut, the British Library, and the Institute for Advanced Studies in the Humanities at the University of Edinburgh. Her research interests include Haydn, the social contexts of singing, music and gender, theories of performance, and music studies within the liberal arts.