Heroes and Heroines (Issue 3) ("Soundings")

by Michael Rustin (Editor), StuartHall (Editor), Doreen Massey (Editor), Bill Bowring (Editor), Michael Rustin (Editor), StuartHall (Editor), KeirStarmer (Editor), KateMarkus (Editor), Bill Bowring (Editor), KateMarkus (Editor), KeirStarmer (Editor), Doreen Massey (Editor)

• Used

  Paperback
  1996

  $6.76

  The purpose of this journal is to give a new direction and depth to a political, cultural and economic debate in Britain. It aims to explore the possibilities of a non-conservative order, and of the re-invention of the socialist tradition. Apart from the special launch edition, each issue deals in depth with a particular theme. This issue explores our relationship to heroes and heroines, asking: do we need them; who can be one; is there a role for heroes and heroines in political or other imagined communities? This issue takes as its theme the complexities of heroes and heroines. It looks at days of Empire, psychoanalysis, and modern and postmodern cinema, and asks: why do we need heroes and heroines; do we need them; and who gets to be a hero or heroine? Part One includes: Cynthia Cockburn's photo essay of Bosnia; Peter Tatchell on a queer way o defining masculinity; Gilane Tauradros on culture going global; Iain Chambers' California sketches; Robin Murray on transport; David Donnison on changing times for the Left; and Angela McRobbie on postmodern psychoanalysis. Part Two includes some expected and unexpected heroes and heroines: Susannah Radstone examines postmodern film and TV characters, such as Tommy cooper and Hannibal Lector;i Becky Hall looks from Jane Austen to Toni Morrison; Simon Edge talks to Peter Wildeblood; Barbara Taylor discusses mary Wollstonecraft; Kirsten Notten reviews the technology of heroes and heroines, with a look at Star Trek and Star Wars .

• Used

  Paperback
  2000

  $3.25

  The theme of this issue is the contribution that psychoanalysis can make to contemporary social debate. The authors unpack some of the unconscious mechanisms and defences at work in social, cultural and political life. Alan Shuttleworth contrasts the humanistic aspect of the psychoanalytic tradition, with the more instrumental and standardizing methodologies associated with other sciences, particularly neuroscience. He argues that the two are coming closer together in a dialogue which is creative for both. Andrew Cooper analyzes some of the anxieties and fantasies that underpin New Labour's obsessional monitoring and auditing. He suggests that the transition from the well-established structures of the welfare state to new and uncharted waters has generated intense anxiety in policy makers and managers around fears of loss of control, hence the defence of controlling measures. Helen Lucey and Diane Reay look at unconscious anxiety in a different context, that of the world of secondary school children growing up in a stressed inner city area. The authors describe how deeply children living in neighbourhoods beset by poverty, social antagonism and crime take into themselves their experience of damage and danger. Richard Graham provides a psychoanalytic critique of Dennis Potter's Karaoke, focussing on the metaphor of karaoke as symbolic of inauthentic kinds of performance or impersonation. Jennifer Wakelyn reflects on objects, their meaning for us and our feelings towards them. She finds, in her study of still life painting, an evocation of our most basic relationships to sensory experience.