Macbeth: Modern English Version Side-By-Side with Full Original Text (Shakespeare Made Easy (Pb))

by Alan Durband (Editor), Alan Durband (Editor), William Shakespeare (Author), William Shakespeare (Author)

• Used

  Illustrated
  1985

  $3.47

• Used

  Paperback
  1986

  $3.47

• New

  Paperback
  2009

  $13.57

  This is the first edition of Macbeth to be developed by and for the RSC, the world's leading Shakespeare theatre company and it includes unique material to help the reader understand and enjoy Shakespeare on the stage as well as on the page. It is illustrated with photographs of classic and unusual performances. Outstanding on-page notes explain words and phrases unfamiliar to a modern audience, including the slang, political references and bawdy humour often ignored or censored in competing editions. The book includes scene-by-scene summary, offering an easily understandable way into the play; presents a completely new introduction by Jonathan Bate, exploring the text and critical debates around it; contains a summary of the play's performance history, at the RSC and elsewhere; and features interviews with important Shakespearean directors Rupert Goold, Gregory Doran and Trevor Nunn discussing key productions at the RSC.

• New

  Hardcover
  2008

  $103.98

  The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Macbeth provides a thorough reconsideration of one of Shakespeare's most popular plays. In his introduction, A. R. Braunmuller explores Macbeth's immediate theatrical and political contexts, particularly the Gunpowder Plot, and addresses such celebrated questions as: do the Witches compel Macbeth to murder; is Lady Macbeth herself in some sense a witch; is Macduff morally culpable? A new and well-illustrated account of the play in performance examines several cinematic versions, such as those by Kurosawa and Roman Polanski, as well as other dramatic adaptations. Several possible new sources are suggested and the presence of Thomas Middleton's writing in the play is also proposed.