Bret Easton Ellis's American Psycho: A Reader's Guide (Continuum Contemporaries)

New
Paperback
2002
$27.32

This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years from The Remains of the Day to White Teeth. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

Synopsis

This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years from The Remains of the Day to White Teeth. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

$27.32

Quantity

10 in stock

More Information

Format: Paperback
Pages: 96
Publisher: Continuum
Published: 21 Mar 2002
ISBN 10: 0826452450
ISBN 13: 9780826452450

Media Reviews

Study Aids Get Chic
Concerned about keeping up at the book club? Stuck for something to say when dinner party talk turns to Zadie Smith? Or no time to read Captain Corelli s Mandolin before the movie comes out? Never fear, cool new study aids are here in the form of Continuum Contemporaries....The Novel Approach, a series of handy readers guides to contemporary fiction. Launching in September, with further waves in January and May 2002, they re much slicker than the frumpy cheat-aids of yore, including everything from website links to review buzz, and deliberately featuring new novels such as Bridget Jones s Diary, The Shipping News, Trainspotting, and even the Harry Potter books. Time Out (London)
The series comes as near to squaring various circles - popular / academic, 'good read' / 'classic Lit', novel / film of the book as any I know. And at best it goes a fair way towards reshuffling those categories and redrawing the boundaries. With the first volume, I was relieved. After two or three, I was hooked.

The books are invaluable for gathering out-of-the-way or ephemeral comment from TV and radio interviews and the web as well as from literary reviews.

Refreshingly upfront and up-to-date

Given the space, there are remarkably balanced film/novel comparisons of the most well-known examples

An important feature is the fully referenced bibliographies, including reviews and copious website addresses - the latter ranging from fanzines and authors' and publishers' own sites to academic discussion lists and online journals.

In method as in subject matter, these guides move freely on the interface between print culture and multimedia. Highly finished and pleasantly handleable as books in their own right, they gesture accommodatingly to both words and worlds beyond.

Taking the series as a whole, it also confirms two things: that narrative nowadays is generically highly hybrid and increasingly cross-media; and that an understanding of the processes of writing and reading 'contemporary classic' (or at least 'currently famous') fiction cannot be separated - yet must be distinguished - from the processes of making and marketing books and films.
The Times Higher Education Supplement, May 31, 2002

Author Bio

Julian Murphet is Professor of Modern Film and Literature at the University of New South Wales, Australia. He is the author of Multimedia Modernism (Cambridge, 2009), Literature and Race in Los Angeles (Cambridge, 2001), co-author of Narrative and Media (Cambridge, 2005), and co-editor of Literature and Visual Technologies (Palgrave, 2003).