New Zealand Filmmakers (Contemporary Approaches to Film and Television) (Contemporary Approaches to Film and Television Series)

by JamesChapman (Contributor), IanConrich (Contributor), SamEdwards (Contributor), Bruce Babington (Contributor), StaceyAbbott (Contributor), StuartMurray (Contributor), David Gerstner (Contributor), Barbara Cairns (Contributor), TerenceBayler (Contributor)

• New

  Paperback
  2007

  $39.89

  This volume contains twenty in-depth studies of prominent New Zealand directors, producers, actors, and cinematographers. New Zealand Filmmakers outlines and examines three major constituent groups who are responsible for the industry as it appears today: those involved in pioneering film in New Zealand, those associated with the New Wave of the 1970s and 1980s, and those post - mid-1980s visionaries and fantasists who have produced striking individual productions. A comprehensive introduction situates the New Zealand film industry in cultural, historical, and ideological contexts.The book displays the diversity of filmmaking in New Zealand and highlights the specific industrial, aesthetic, and cultural concerns that have created a film culture of international significance. With the majority of the contributions in the book containing analysis developed through dialogue with the filmmakers, New Zealand Filmmakers is an authoritative study of the film industry in New Zealand. Each essay also includes a thorough and definitive filmography, detailing the full nature of the work produced by each individual, with key titles highlighted.Filmmakers covered in this volume include Barry Barclay, David Blyth, Jane Campion, Roger Donaldson, Rudall Hayward, Peter Jackson, John Laing, Bruno Lawrence, Len Lye, Alison Maclean, Merata Mita, Ian Mune, Geoff Murphy, Leon Narbey, John O'Shea, Gaylene Preston, John Reid, Vincent Ward, Jennifer Ward-Lealand, and Peter Wells. This collection is illustrated with 50 film prints, many of which have never before been published. With the New Zealand film industry poised to become a center of film production and already a major topic of critical interest, this volume will find many interested readers among film scholars and educators.