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The Cinematic Society: The Voyeur's Gaze: 34 (Published in association with Theory, Culture & Society)

The Cinematic Society: The Voyeur's Gaze: 34 (Published in association with Theory, Culture & Society)

by NormanK.Denzin (Author)

  • New

    Paperback 1995

    $73.37
Synopsis

Ranging over a rich variety of material from film and film literature, and encompassing a critical interrogation of traditional realist ethnographic and cinematic texts, this book highlights the extent to which the cinema has contributed to the rise of voyeurism throughout society.

The cinema not only turns its audience into voyeurs, eagerly following the lives of its screen characters, but casts its key players as onlookers, spying on other's lives. The nature of the cinematic voyeur is examined in depth, as are its implications for contemporary society. Norman K Denzin analyzes Hollywood's manipulations of gender, race and class, and, drawing on the work of Foucault, argues that the cinematic gaze must be understood as part of the machinery of surveillance and power which regulates social behaviour in the late twentieth century.

$73.37

Quantity

10 in stock

More Information

Format: Paperback
 Pages: 264
 Edition: 1
 Publisher: SAGE Publications Ltd
Published: 10 Apr 1995
ISBN 10: 0803986580
ISBN 13: 9780803986589

Media Reviews
`Denzin's analysis is closely argued and well supported by his choice of texts' - The Lecturer

`If in The Cinematic Society, Norman Denzin successfully turns film criticism into a criticism of the human sciences, it is because The Cinematic Society takes as its frame of reference those movies in which the voyeur is the prominent figure - movies which Denzin suggests constitute a reflexive cinema .... Thus while [the book] may seem to some only to be a book of movie reviews, it is a profoundly important piece of sociology precisely in the way it draws on relexive cinema to make a case for a reflexive postmodern sociology. This is not to say that the readings of the various movies are not themselves of interest; indeed they provide the clues for realizing that ours is no longer a cinematic society. The many mechanical devices that appear in these movies and that provide the context in which voyeurism becomes reflexive, point to the coming to dominance of telecommunication that not only poses profound changes in sociology - changes that must bring sociology even beyond the reflexive voyeurism of much postmodern ethnography. Denzin's singular effort to make sociologists attend to the relationship of sociology and the mass media find their clearest expression in The Cinematic Society, the best of his most recent works. Indeed, this is a book that should be worked with, worked through, because it provides a guide to the future of sociology' - Symbolic Interaction

`Professor Denzin's enthralling examination of the evolution of the aesthetic of the voyeur's gaze in cinema, which began with the Peeping Tom films of the 1900's and continues with sex lies and videotape, Silence of the Lambs and the proto-pornographic wave which presently washes through the minds of Western audiences.... Denzin's scholarly book puts together an account of that voyeur's career through a century of cinema, explicating it film by film and genre by genre' - InterMedia

`Adopting as a central premise the notion that the constitution of subjectivity occurs through the gaze of the Other, and locating the voyeur as the anti-hero of cinematic society, Denzin enters into a brilliant analysis of multiple forms of the voyeur's gaze' - Peter McLaren, University of California, Los Angeles

Author Bio
Norman K. Denzin is Distinguished Professor of Communications, College of Communications Scholar, and Research Professor of Communications, Sociology, and Humanities at the University of Illinois, Urbana-Champaign. Denzin is the author or editor of more than two dozen books, including Indians on Display; Custer on Canvas; The Qualitative Manifesto; Qualitative Inquiry Under Fire; Searching for Yellowstone; Reading Race; Interpretive Ethnography; The Cinematic Society; The Voyeur's Gaze; and The Alcoholic Self. He is past editor of The Sociological Quarterly, co-editor (with Yvonna S. Lincoln) of four editions of the Handbook of Qualitative Research, coeditor (with Michael D. Giardina) of eight plenary volumes from the annual Congress of Qualitative Inquiry, co-editor (with Lincoln) of the methods journal Qualitative Inquiry, founding editor of Cultural Studies/Critical Methodologies and International Review of Qualitative Research, and editor of three book series.