The Book of J

by David Rosenberg (Translator), David Rosenberg (Translator), Harold Bloom (Author)

• New

  Paperback
  2004

  $18.58

  J is the title that scholars ascribe to the nameless writer they believe is responsible for the text, written between 950 and 900 BCE, on which Genesis, Exodus and Numbers is based. In The Book of J, Bloom and Rosenberg draw the J text out of the surrounding material and present it as the seminal classic that it is.In addition to Rosenberg's original translations, Bloom argues in several essays that J was not a religious writer but a fierce ironist and a woman living in the court of King Solomon. He also argues that J is a writer on par with Homer, Shakespeare and Tolstoy.Bloom also offers historical context, a discussion of the theory of how the different texts came together to create the Bible, and translation notes. Rosenberg's translations from the Hebrew bring J's stories to life and reveal her towering originality and grasp of humanity.

• Used

  Hardcover
  1991

  $15.16

  In this work of literary restoration, Harold Bloom and David Rosenberg recover a lost masterpiece by a nameless writer know as J, author of the oldest and most powerful stories in the Bible. Religious tradition ascribes authorship of the Pentateuch - the first five books of the Hebrew Bible or the Christian Old Testament - to Moses, but scholars agree that it is in fact a composite work consisting of texts by several different authors, woven together around 400 BCE by a master editor whom scholars know as the Redactor, or R. The oldest of these texts, running through Genesis, Exodus and Numbers was written by the author whom scholars call J, probably in the 10th century BCE. For the first time, Bloom and Rosenberg lift the J text out of the surrounding material so that it stands as the classic it is. Bloom argues on aesthetic grounds that J is a writer of the stature of Homer, Shakespeare and Tolstoy, and on literary and psychological grounds that J was a woman - very likely a woman of the royal house living at the King Soloman's court. Paradoxically, on Bloom's interpretation, J is in no sense a religious writer. Rather she is an ironist with formidable powers of characterization, as revealed in her portrait of Adam, Joseph, Moses, Eve, Rebecca and Tamar. But J's finest creation is her Yahweh, an exuberant vitalist who is a far cry from the remote Jehovah superimposed by R and other editors. In Rosenberg's rendering, J's language is powerfully inventive, punning, playful and uncanny and her men and women are crafty and courageous.