The Mountain Shadow

Roberts is brilliant at creating a sense of menace and projecting the constant tension of the escaped convict, living on his wits, waiting to be murdered or betrayed at any moment . . . Crucially, he is also a man who loves and understands India . . . Nearly 900 pages of pure escape. --Sunday Times (UK)

Roberts's sequel to Shantaram defies easy categorization, one of its many charms. The dashing hero Lin, an Australian fugitive, is worldly, two-fisted, rides a motorcycle, has a social conscience, quotes great writers and, as the book opens, struggles bravely to get over his lost love, Karla . . . He narrates his interactions with many larger-than-life street types in an energetic and often salty first person . . . . Roberts keeps the action moving and the narrative engaging . . . This series of robust, retro capers with contemporary trappings will have readers feverishly turning the pages. --Publishers Weekly

The first book was a hit, and this volume will follow suit. --Library Journal

Praise for Shantaram

Shantaram is a novel of the first order, a work of extraordinary art, a thing of exceptional beauty. If someone asked me what the book was about, I would have to say everything, everything in the world. Gregory David Roberts does for Bombay what Lawrence Durrell did for Alexandria, what Melville did for the South Seas, and what Thoreau did for Walden Pond: He makes it an eternal player in the literature of the world. --Pat Conroy

Shantaram has provided me with the richest reading experience to date . . . It is seductive, powerful, complex, and blessed with a perfect voice. Like a voodoo ghost snatcher, Gregory David Roberts has captured the spirits of the likes of Henri Charri re, Rohinton Mistry, Tom Wolfe, and Mario Vargas Llosa, fused them with his own unique magic, and built the most gripping monument in print . . . Gregory David Roberts is a suitable giant, a dazzling guru, and a genius in full. --Moses Isegawa, author of Abyssinian Chronicles and Snakepit