Taming Cannibals: Race and the Victorians

Taming Cannibals itself provides a nuanced, powerfully told, and richly detailed story of the ways in which the paradox of racial and imperial thought and writing has been, and continues to be, constitutive of the West's often agonistic but no less humanly costly self-understanding.

Readers familiar with Patrick Brantlinger's many distinguished books on Victorian literature will welcome his most recent contribution, Taming Cannibals: Race and the Victorians, which he describes as the third in a 'trilogy' of Victorian and postcolonial studies projects that include his groundbreaking Rule of Darkness and Dark Vanishings. Taming Cannibals focuses on 'various contradictions inherent in racist and imperialist ideology' (p. 2), especially its so-called civilizing mission, and explores ways in which conceptions of race helped Victorians interpret and classify humans elsewhere, `including themselves' (p. 19).

A trailblazer in studies of Victorian culture and empire, Patrick Brantlinger delivers yet another wide-ranging book on Victorian racial ideologies, the third in a compelling trilogy. Taming Cannibals casts a fresh light on the mutuality of British imperialism and literature, exploring the intricate ways in which the 'civilizing mission' was at once promoted, compromised, and defined by prevailing race theories. Taming Cannibals is indispensable reading for students and scholars of Victorian literature.

Focusing on the central 'contradictions' in the nineteenth-century discourse on racial difference, Patrick Brantlinger's Taming Cannibals makes a major contribution to the critical study of nineteenth-century imperialism as mission civilisatrice. No writer has made a more convincing or more interesting case for the claim that European imperialism rested on a central, irresolvable contradiction: on the one hand, that non-European 'savage' races can never be 'civilized' and, on the other, that European colonialism can only be justified as a moral mission to 'civilize' the 'savage.'.

Third in Patrick Brantlinger's massive trilogy on race and the Victorians, this is the best of postcolonial criticism. It focuses on the contradictions and complexities of empire through such figures as Richard Burton, Disraeli, George Augustus Robinson, Mayhew, and Kipling, and such formations as the Celtic Twilight, going native, and colonial desire. It shows how racism pervades every aspect of Victorian and Modern culture and explains the persistence into our own time of what are otherwise inexplicably persistent inequalities. It is hard to be nuanced when covering this much, but by a seasoned mastery of both primary and secondary sources Brantlinger succeeds.