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Used
Paperback
1994
$3.29
More than 60 years after his death, the deeds of the escapologist Harry Houdini still inspire imitators and ad-men. The common perception of Houdini is of a small man, manacled, jumping off a bridge into icy water, suspended from a skyscraper or emerging from a sealed coffin. His tricks were very clever and effective, but the author of this book argues that the man himself was far more interesting than the tricks. The book examines the phenomenon of fame - what it is that compels a man to perform acts of near-suicidal bravado to gain public acclaim, and what it is that draws vast crowds of people to watch. It considers the nature of a man whom the author believes was probably sexually repressed, and yet performed almost naked, draped in chains and manacles, who wrote love letters to his wife five times a day, and who struggled obsessively for years to prove or disprove the existence of life after death. Ruth Brandon argues that it is in his death that the key to Houdini's life and success is to be found. She claims that, more complex than just a small man triumphing against the odds, his escapes can be read as a drama of death and resurrection.
Brandon's other books include The New Women and the Old Men and an autobiography of Sarah Berhardt, Being Divine .
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Used
Paperback
2001
$3.45
This is a reissue of Ruth Brandon's definitive biography of Houdini. When Harry Houdini died in 1926, he was one of the most famous men in the world. Having started out as a vaudeville magician, he soon began to specialise in the escapes for which his name remains a byword. In this classic biography, Ruth Brandon explains in detail the secrets of Houdini's most celebrated escapes, but more importantly she asks, 'What was Houdini really trying to escape from?' - and, searching for the answer, reveals a man far more extraordinary than any of his audience could have imagined. A ripping account of shamanism, celebrity and magic - Sunday Times . Brandon paints a fascinating picture of this complicated and charismatic character, and also of turn-of-the-century America - The Times .
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Used
Hardcover
1993
$3.29
Everyone has heard of Harry Houdini. Over 60 years after his death, his death-defying escapes still inspire imitators and ad-men. When we think of Houdini, we think of a small man, manacled, jumping off a bridge into icy water, suspended from a skyscraper or emerging, seemingly against the odds, from a sealed coffin. His tricks, and they usually were tricks, were very clever and effective, but the author argues that the man himself was far more interesting than they were. Brandon examines the phenomenon of fame - what is it that compels a man to perform acts of near-suicidal bravado to gain public acclaim, and what is it that draws vast crowds of people to watch? She considers the nature of a man whom she believes was probably sexually repressed, and yet performed almost naked draped in chains and manacles, who wrote love letters to his wife - who was in another room - five times a day, and who struggled obsessively for years to prove or disprove the existence of life after death. Brandon argues that it is in the death that the key to Houdini's life, and success, is to be found.
More complex than simply seeing a small man triumph against the odds, she claims that his escapes can be read as drama of death and resurrection, a signal, perhaps, that one can return from the other side. By the author of The New Women and the Old Men , and Being Divine .