The Catastrophist

'Bennett's writing is as lush and sensual as ripe mangoes. His characters are complex and sympathetic. The tone, which is perfectly pitched, and the exotic setting collude to evoke an era of colonial decadence'
Financial Times 13th/14th June

'The finding of a voice and what one says with it is central to The Catastrophist... Along with its politics The Catastrophist is an intensely erotic novel'
Linda Grant Guardian, Wednesday 17th June

'Bennett is a writer to watch, a genuine and gifted novelist'
Independent, Saturday 27th June

'Bennett's knuckle-hard prose gives the region the clarity of a punch to the solar plexus. His Congans, far from being passive mutes, are both the rhetorical and satirical equals of the Belgians whose drinks trolleys they cart and whose floors they scrub. Conrad felt they existed outside of history - Bennett shows them engaged in transforming it.'
The Literary Review, July 1998

'Despite the African setting, The Catastrophist was obviously intended to explore some of the tensions and motivations in all similar conflicts - including Northern Ireland. Gillespie twice refuses invitations to write about what's going on in his homeland, and Bennett believes there has been a similar failure of nerve among writers of his own generation. Most of the stuff that has been done about the North is grounded in the politics of compassion for the victims. I'm not saying there's no place for that, but fiction has been so affected by, overwhelmed by the death, the squalor, the sheer awfulness of it all, that it can't actually go beyond that, and ask, 'Why did this happen? Who are these characters? Why are they doing it? '
Cole Moreton, Independent on Sunday, 28th June

'A mighty achievement. It has vision, imagination and gravitas. It does what only great novels do: it rises above itself; its themes transcend its narrative. The hero is immature, but the author is wise'
Mary Loudon, The Times 27th June

'This is a historical novel as well as a love story. But with the news from Congo continuing in the same vein nearly 40 years later, it has a lively currency... Like Muldoon, Bennett has gained a great deal by looking at political strife and engagement from a faraway place, from an oblique angle. To quote that poet's verse about Auden and Yeats, it may be the case that history's a twisted root/ with art its small, translucent fruit/ and never the other way round - but the fruit is beautiful and we see the branch better for looking through it'
Giles Foden, The Guardian 4th July
'This is a very well-written and well-researched novel by a writer who is able to maintain a tense and gripping atmosphere of political intrigue and erotic passion'
Harry Ritchie, Mail on Sunday 5 July

'The traditional understatement of William Trevor and John McGahern endures, and nowhere more obviously than in the work of Belfast born novelist, Ronan Bennett....evoke[s] a similar atmosphere and reflective tone to that of the American, Robert Stone.
Eileen Battersby, Irish Times 7 July

'An enthralling and thought-provoking book, presenting crucial questions of historical and political responsibility'
Times Literary Supplement, 9 July

'Take[s] the reader into one of the most exciting and tragic places on the earth'
Herald 9 July 1998

'Immensely promising... has been compared to some of Graham Greene's finest efforts, and I'm not going to argue with that'
Daily Mirror 10 July 1998

'A welcome reminder that it is still possible to write clearly, coherently and movingly... a great achievement, an impressive testament to the appeal of strong narrative and sympathetic characterisation'
Edward Smith Sunday Telegraph 12 July

'The book comes spotted with puffs suggesting that Ronan Bennett is the millennial Graham Greene, and for once they do not exaggerate... Bennett writes with the same brilliance, the same remarkably effective eroticism'
Sean McMahon, Irish IndependenThe Catastrophist Ronan Bennett - coverage to date

'Bennett's writing is as lush and sensual as ripe mangoes. His characters are complex and sympathetic. The tone, which is perfectly pitched, and the exotic setting collude to evoke an era of colonial decadence'
Financial Times 13th/14th June

'The finding of a voice and what one says with it is central to The Catastrophist... Along with its politics The Catastrophist is an intensely erotic novel'
Linda Grant Guardian, Wednesday 17th June

'Bennett is a writer to watch, a genuine and gifted novelist'
Independent, Saturday 27th June

'Bennett's knuckle-hard prose gives the region the clarity of a punch to the solar plexus. His Congans, far from being passive mutes, are both the rhetorical and satirical equals of the Belgians whose drinks trolleys they cart and whose floors they scrub. Conrad felt they existed outside of history - Bennett shows them engaged in transforming it.'
The Literary Review, July 1998

'Despite the African setting, The Catastrophist was obviously intended to explore some of the tensions and motivations in all similar conflicts - including Northern Ireland. Gillespie twice refuses invitations to write about what's going on in his homeland, and Bennett believes there has been a similar failure of nerve among writers of his own generation. Most of the stuff that has been done about the North is grounded in the politics of compassion for the victims. I'm not saying there's no place for that, but fiction has been so affected by, overwhelmed by the death, the squalor, the sheer awfulness of it all, that it can't actually go beyond that, and ask, 'Why did this happen? Who are these characters? Why are they doing it? '
Cole Moreton, Independent on Sunday, 28th June

'A mighty achievement. It has vision, imagination and gravitas. It does what only great novels do: it rises above itself; its themes transcend its narrative. The hero is immature, but the author is wise'
Mary Loudon, The Times 27th June

'This is a historical novel as well as a love story. But with the news from Congo continuing in the same vein nearly 40 years later, it has a lively currency... Like Muldoon, Bennett has gained a great deal by looking at political strife and engagement from a faraway place, from an oblique angle. To quote that poet's verse about Auden and Yeats, it may be the case that history's a twisted root/ with art its small, translucent fruit/ and never the other way round - but the fruit is beautiful and we see the branch better for looking through it'
Giles Foden, The Guardian 4th July
'This is a very well-written and well-researched novel by a writer who is able to maintain a tense and gripping atmosphere of political intrigue and erotic passion'
Harry Ritchie, Mail on Sunday 5 July

'The traditional understatement of William Trevor and John McGahern endures, and nowhere more obviously than in the work of Belfast born novelist, Ronan Bennett....evoke[s] a similar atmosphere and reflective tone to that of the American, Robert Stone.
Eileen Battersby, Irish Times 7 July

'An enthralling and thought-provoking book, presenting crucial questions of historical and political responsibility'
Times Literary Supplement, 9 July

'Take[s] the reader into one of the most exciting and tragic places on the earth'
Herald 9 July 1998

'Immensely promising... has been compared to some of Graham Greene's finest efforts, and I'm not going to argue with that'
Daily Mirror 10 July 1998

'A welcome reminder that it is still possible to write clearly, coherently and movingly... a great achievement, an impressive testament to the appeal of strong narrative and sympathetic characterisation'
Edward Smith Sunday Telegraph 12 July

'The book comes spotted with puffs suggesting that Ronan Bennett is the millennial Graham Greene, and for once they do not exaggerate... Bennett writes with the same brilliance, the same remarkably effective eroticism'
Sean McMahon, Irish IndependenThe Catastrophist Ronan Bennett - coverage to date

'Bennett's writing is as lush and sensual as ripe mangoes. His characters are complex and sympathetic. The tone, which is perfectly pitched, and the exotic setting collude to evoke an era of colonial decadence'
Financial Times 13th/14th June

'The finding of a voice and what one says with it is central to The Catastrophist... Along with its politics The Catastrophist is an intensely erotic novel'
Linda Grant Guardian, Wednesday 17th June

'Bennett is a writer to watch, a genuine and gifted novelist'
Independent, Saturday 27th June

'Bennett's knuckle-hard prose gives the region the clarity of a punch to the solar plexus. His Congans, far from being passive mutes, are both the rhetorical and satirical equals of the Belgians whose drinks trolleys they cart and whose floors they scrub. Conrad felt they existed outside of history - Bennett shows them engaged in transforming it.'
The Literary Review, July 1998

'Despite the African setting, The Catastrophist was obviously intended to explore some of the tensions and motivations in all similar conflicts - including Northern Ireland. Gillespie twice refuses invitations to write about what's going on in his homeland, and Bennett believes there has been a similar failure of nerve among writers of his own generation. Most of the stuff that has been done about the North is grounded in the politics of compassion for the victims. I'm not saying there's no place for that, but fiction has been so affected by, overwhelmed by the death, the squalor, the sheer awfulness of it all, that it can't actually go beyond that, and ask, 'Why did this happen? Who are these characters? Why are they doing it? '
Cole Moreton, Independent on Sunday, 28th June

'A mighty achievement. It has vision, imagination and gravitas. It does what only great novels do: it rises above itself; its themes transcend its narrative. The hero is immature, but the author is wise'
Mary Loudon, The Times 27th June

'This is a historical novel as well as a love story. But with the news from Congo continuing in the same vein nearly 40 years later, it has a lively currency... Like Muldoon, Bennett has gained a great deal by looking at political strife and engagement from a faraway place, from an oblique angle. To quote that poet's verse about Auden and Yeats, it may be the case that history's a twisted root/ with art its small, translucent fruit/ and never the other way round - but the fruit is beautiful and we see the branch better for looking through it'
Giles Foden, The Guardian 4th July
'This is a very well-written and well-researched novel by a writer who is able to maintain a tense and gripping atmosphere of political intrigue and erotic passion'
Harry Ritchie, Mail on Sunday 5 July

'The traditional understatement of William Trevor and John McGahern endures, and nowhere more obviously than in the work of Belfast born novelist, Ronan Bennett....evoke[s] a similar atmosphere and reflective tone to that of the American, Robert Stone.
Eileen Battersby, Irish Times 7 July

'An enthralling and thought-provoking book, presenting crucial questions of historical and political responsibility'
Times Literary Supplement, 9 July

'Take[s] the reader into one of the most exciting and tragic places on the earth'
Herald 9 July 1998

'Immensely promising... has been compared to some of Graham Greene's finest efforts, and I'm not going to argue with that'
Daily Mirror 10 July 1998

'A welcome reminder that it is still possible to write clearly, coherently and movingly... a great achievement, an impressive testament to the appeal of strong narrative and sympathetic characterisation'
Edward Smith Sunday Telegraph 12 July

'The book comes spotted with puffs suggesting that Ronan Bennett is the millennial Graham Greene, and for once they do not exaggerate... Bennett writes with the same brilliance, the same remarkably effective eroticism'
Sean McMahon, Irish IndependenThe Catastrophist Ronan Bennett - coverage to date

'Bennett's writing is as lush and sensual as ripe mangoes. His characters are complex and sympathetic. The tone, which is perfectly pitched, and the exotic setting collude to evoke an era of colonial decadence'
Financial Times 13th/14th June

'The finding of a voice and what one says with it is central to The Catastrophist... Along with its politics The Catastrophist is an intensely erotic novel'
Linda Grant Guardian, Wednesday 17th June

'Bennett is a writer to watch, a genuine and gifted novelist'
Independent, Saturday 27th June

'Bennett's knuckle-hard prose gives the region the clarity of a punch to the solar plexus. His Congans, far from being passive mutes, are both the rhetorical and satirical equals of the Belgians whose drinks trolleys they cart and whose floors they scrub. Conrad felt they existed outside of history - Bennett shows them engaged in transforming it.'
The Literary Review, July 1998

'Despite the African setting, The Catastrophist was obviously intended to explore some of the tensions and motivations in all similar conflicts - including Northern Ireland. Gillespie twice refuses invitations to write about what's going on in his homeland, and Bennett believes there has been a similar failure of nerve among writers of his own generation. Most of the stuff that has been done about the North is grounded in the politics of compassion for the victims. I'm not saying there's no place for that, but fiction has been so affected by, overwhelmed by the death, the squalor, the sheer awfulness of it all, that it can't actually go beyond that, and ask, 'Why did this happen? Who are these characters? Why are they doing it? '
Cole Moreton, Independent on Sunday, 28th June

'A mighty achievement. It has vision, imagination and gravitas. It does what only great novels do: it rises above itself; its themes transcend its narrative. The hero is immature, but the author is wise'
Mary Loudon, The Times 27th June

'This is a historical novel as well as a love story. But with the news from Congo continuing in the same vein nearly 40 years later, it has a lively currency... Like Muldoon, Bennett has gained a great deal by looking at political strife and engagement from a faraway place, from an oblique angle. To quote that poet's verse about Auden and Yeats, it may be the case that history's a twisted root/ with art its small, translucent fruit/ and never the other way round - but the fruit is beautiful and we see the branch better for looking through it'
Giles Foden, The Guardian 4th July
'This is a very well-written and well