Screen Culture: A Global History (New Directions in Media History)

Screen Culture: A Global History (New Directions in Media History)

by RichardButsch (Author)

Synopsis

In this expansive historical synthesis, Richard Butsch integrates social, economic, and political history to offer a comprehensive and cohesive examination of screen media and screen culture globally - from film and television to digital media - as they have evolved through the 20th and 21st centuries.

Drawing on an enormous trove of research on the US, Britain, France, Egypt, West Africa, India, China and other nations, Butsch tells the stories of how media has developed in these nations and what global forces linked them. He assesses the global ebb and flow of media hegemony and the cultural differences in audiences' use of media. Comparisons across time and space reveal two linked developments: the rise and fall of American cultural hegemony, and the consistency among audiences from different countries in the way they incorporate screen entertainments into their own cultures.

Deeply engaging, Screen Culture offers a masterful, integrated global history that invites media scholars to see this landscape in a new light as well as being suitable for students and interested general readers.

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More Information

Format: Paperback
Pages: 336
Edition: 1
Publisher: Polity
Published: 22 Feb 2019

ISBN 10: 0745653251
ISBN 13: 9780745653259

Media Reviews
Screen culture is culture - lived culture yet industrialised, ubiquitous yet iniquitous, pleasurable yet problematic for audiences around the world. Few scholars have the ambition to encompass both a historical and a global/local perspective, but Richard Butsch takes it all on with aplomb, expertly steering us through a wealth of fascinating archival research to reveal the emerging character of globalised media in this still-new millennium. Sonia Livingstone, author of The Class: Living and learning in the digital age, London School of Economics and Political Science

Richard Butsch's highly original and very readable overview of the development of screen cultures is particularly striking in the breadth of its chronological and geographical scope. His knowledge and scholarship, based on a career's-worth of research, ring out from the text. Richard Maltby, Flinders University