Women Beware Women (New Mermaids)

by Thomas Middleton (Author), William C. Carroll (Editor)

• Used

  Paperback
  1994

  $3.27

  Thomas Middleton (1580-1627), a bricklayer's son, rose to become one of the most eminent playwrights of the Jacobean period. Along with Ben Johnson he helped shape the dynamic course of drama in Renaissance England. His range is broad, as his work successfully covers comedy, tragedy, and history. Praised during his life as well as today, Middleton remains relevant and influential. Set in opulent 17th century Italy, Women Beware Women (1657) is a dark tragedy in line with the trends of Jacobean drama. It is a tale of violence, malice, and love. The drama that unfolds in this Italian court creates a whirlwind of jealousy-leading to numerous plots of revenge and ultimate tragedy. Along with The Changeling (1653), Women Beware Women helps to form the apex of Middleton's later career.

• Used

  Paperback
  1989

  $3.27

• New

  Paperback
  2002

  $14.97

  One of the great Renaissance playwrights, Middleton wrote tragedies essentially different from either Marlowe's or Shakespeare's, being wittier than the former and more grittily ironic than the latter. The genre of 'citizen tragedy' came into its own in the eighteenth century, but Middleton can claim to have created it: Bianca, wife of a middling commercial agent, arouses the lust of the Duke of Florence and becomes his mistress, first secretly, then openly and finally, after her husband has been seduced by the scheming Lady Livia and stabbed by Livia's brother, the Duke's wife. Livia plots her revenge, and the play ends with a banquet and a masque that are a triumph of black farce. Middleton's powerful, psychologically complex female characters and his clear-sighted analysis of misogyny are bound to impress today's audiences, but it is the pervasive irony - cynicism, even - with which he dissects the motivations of both oppressor and victim that makes him so eerily modern.