Those Twentieth Century Blues: An Autobiography

Those Twentieth Century Blues: An Autobiography

by Michael Tippett (Author)

Synopsis

The autobiography of one of Britain's greatest composers is as idiosyncratic as the man himself, revealing his insatiable curiosity about people and places, ideas and sensations, and music of every kind. Vigorous, brave, funny, candid about his sexual and emotional life, Sir Michael has written a remarkable, memorable book.

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More Information

Format: Paperback
Pages: 304
Edition: New Ed
Publisher: Pimlico
Published: 07 Jul 1994

ISBN 10: 0712660593
ISBN 13: 9780712660594
Book Overview: The autobiography of Britain's greatest living composer is as idiosyncratic as the man himself, revealing his insatiable curiosity about people and places, ideas and sensations, and music of every kind. Vigorous, brave, funny, candid about his sexual and emotional life, Sir Michael has written a remarkable, memorable book. 19940124

Media Reviews
What makes THOSE TWENTIETH CENTURY BLUES so fascinating, and often very moving, is not just its illumination of a richly patterned life, but the sheer candour of the reminiscences. . . It is altogether an admirable book. . . touchingly honest and endearing. * Financial Times *
Richly entertaining. . . The heady flavour of the man himself is here. * Sunday Telegraph *
It is his best book. . . and anyone with the remotest interest in contemporary music should read it. * London Magazine *
Extremely lively and candid. . . he is a master story-teller. . . highly enjoyable. * Musical Times *
Author Bio
Sir Michael Tippett studied at London's Royal College of Music, where he later returned to learn the contrapuntal skills so integral to his musical style. Deeply responsive to world events, he began 'A Child of Our Time' on the day war broke out in 1939 - on the advice of T S Eliot he wrote his own libretto for it and future works. In 1940, whilst Director of Music at London's Morley College, Tippett discovered the music of Purcell, whose sensitive word-setting and dramatic vocal style he emulated and developed in his operas. A conscientious objector, in 1943 he was sentenced to three months in Wormwood Scrubs - he remained a committed pacifist and humanitarian. Forever inspired by the music of the past Tippett also worshipped Beethoven, particularly his innate sense of musical architecture and structure. Tippett absorbed many musical influences into his work, including negro spirituals in 'A Child of Our Time', and the blues in 'The Knot Garden', which, along with 'The Ice Break' includes substantial parts for electric guitar.