by Gary Tomlinson (Author)
Shows how opera, in its own cultural arena, distinct from philosophy, has repeatedly brought to the stage the changing relations of the subject to the particular metaphysics it presumes. This book details interactions of song, words, drama, and sounds used by creators of opera to fill in the outlines of the subjectivities they envisioned.
Format: Paperback
Pages: 204
Publisher: Princeton University Press
Published: 21 Feb 1999
ISBN 10: 0691004099
ISBN 13: 9780691004099