Hearing Things: The Work of Sound in Literature

Hearing Things: The Work of Sound in Literature

by Angela Leighton (Author), Angela Leighton (Author)

Synopsis

Hearing Things is a meditation on sound's work in literature. Drawing on critical works and the commentaries of many poets and novelists who have paid close attention to the role of the ear in writing and reading, Angela Leighton offers a reconsideration of literature itself as an exercise in hearing.

An established critic and poet, Leighton explains how we listen to the printed word, while showing how writers use the expressivity of sound on the silent page. Although her focus is largely on poets--Alfred Tennyson, W. B. Yeats, Robert Frost, Walter de la Mare, Wallace Stevens, Elizabeth Bishop, Jorie Graham, and Alice Oswald--Leighton's scope includes novels, letters, and philosophical writings as well. Her argument is grounded in the specificity of the text under discussion, but one important message emerges from the whole: literature by its very nature commands listening, and listening is a form of understanding that has often been overlooked. Hearing Things offers a renewed call for the kind of criticism that, avoiding the programmatic or purely ideological, remains alert to the work of sound in every literary text.

$42.99

Quantity

7 in stock

More Information

Format: Hardcover
Pages: 278
Publisher: Belknap Press
Published: 25 May 2018

ISBN 10: 0674983491
ISBN 13: 9780674983496

Media Reviews
Many critics claim to engage in close reading, but nobody is as skilled as Angela Leighton at close listening. Heard through her ears, words sing and rhythms thrum on the page, making even familiar poems sound compellingly fresh and new. This approach makes Hearing Things something more than a traditional work of literary criticism. What Leighton offers us instead, as she ranges across poetry from the nineteenth century to the present day, is criticism as a form of play: inventive, witty, and joyfully experimental.--Robert Douglas-Fairhurst, author of The Story of Alice: Lewis Carroll and the Secret History of Wonderland
Leighton shows us that what separates poetry from other things that humans make are those very moments when poems enact or allude to listening--hums, murmurs, echoes, incomprehensible language. Hearing Things is persuasive, ambitious, synthetic, clear, and powerful.--Steph Burt, author of The Poem Is You: 60 Contemporary American Poems and How to Read Them
Understanding the role of sound helps you get at how a poem or piece of prose manages your aesthetic response...[Hearing Things] is a wise, suggestive reminder to readers to keep an eye on the ear.--Sam Leith Prospect (06/01/2018)