David Hare Plays:

David Hare Plays: "Slag", "Teeth 'n' Smiles", "Knuckle", "Licking Hitler", "Plenty" v. 1 (Faber Contemporary Classics)

by David Hare (Author)

Synopsis

Plays One: "Slag""Teeth 'n' Smiles ""Knuckle""Licking Hitler""Plenty"Introduced by the author, this first volume of David Hare's plays contains his work from the seventies, including the landmark play of that decade, "Plenty," charting the development of 'one of the great post-war British playwrights' ("Independent on Sunday").

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More Information

Format: Paperback
Pages: 496
Edition: Main
Publisher: Faber
Published: 15 Jan 1996

ISBN 10: 0571177417
ISBN 13: 9780571177417
Book Overview: David Hare Plays 1 includes Slag, Teeth 'n' Smiles, Knuckle, Licking Hitler and Plenty.

Media Reviews
Slag
An embattled contemporary morality play full of sardonic fun and spiky indignation...What an enviable debut: funny, intelligent and briskly honest. -- Sunday Times
Teeth 'n' Smiles
The writing is bright with aggression...a flintily intelligent play. -- The Times
Knuckle
I beg all lovers of the theatre, and all those concerned for its future, to see Knuckle. -- Sunday Telegraph
Licking Hitler
Beginning with a middle-class young woman's unceremonious introduction to specialized war work, it develops with a devastating economy of means into a dramatization of the unarguable logic of deception...elegant, spare and as lucid as crystal. -- Observer
Plenty
Brilliant...it deepens with every viewing. --Mel Gussow, New York Times

Slag
An embattled contemporary morality play full of sardonic fun and spiky indignation...What an enviable debut: funny, intelligent and briskly honest. -- Sunday Times
Teeth 'n' Smiles
The writing is bright with aggression...a flintily intelligent play. -- The Times
Knuckle
I beg all lovers of the theatre, and all those concerned for its future, to see Knuckle. -- Sunday Telegraph
Licking Hitler
Beginning with a middle-class young woman's unceremonious introduction to specialized war work, it develops with a devastating economy of means into a dramatization of the unarguable logic of deception...elegant, spare and as lucid as crystal. -- Observer
Plenty
Brilliant...it deepens with every viewing. --Mel Gussow, New York Times

An embattled contemporary morality play full of sardonic fun and spiky indignation...What an enviable debut: funny, intelligent and briskly honest. Sunday Times on Slag

The writing is bright with aggression...a flintily intelligent play. The Times on Teeth 'n' Smiles

I beg all lovers of the theatre, and all those concerned for its future, to see Knuckle. Sunday Telegraph on Knuckle

Beginning with a middle-class young woman's unceremonious introduction to specialized war work, it develops with a devastating economy of means into a dramatization of the unarguable logic of deception...elegant, spare and as lucid as crystal. Observer on Licking Hitler

Brilliant...it deepens with every viewing. Mel Gussow, New York Times on Plenty


An embattled contemporary morality play full of sardonic fun and spiky indignation...What an enviable debut: funny, intelligent and briskly honest. --Sunday Times on Slag

The writing is bright with aggression...a flintily intelligent play. --The Times on Teeth 'n' Smiles

I beg all lovers of the theatre, and all those concerned for its future, to see Knuckle. --Sunday Telegraph on Knuckle

Beginning with a middle-class young woman's unceremonious introduction to specialized war work, it develops with a devastating economy of means into a dramatization of the unarguable logic of deception...elegant, spare and as lucid as crystal. --Observer on Licking Hitler

Brilliant...it deepens with every viewing. --Mel Gussow, New York Times on Plenty

Author Bio
David Hare is a playwright and filmmaker. His stage plays include Plenty, Pravda (with Howard Brenton) Racing Demon, Skylight, Amy's View, Via Dolorosa, Stuff Happens, South Downs, The Absence of War and The Judas Kiss. His films for cinema and television include Wetherby, The Hours, Damage, The Reader and the Worricker trilogy: Page Eight, Turks & Caicos and Salting the Battlefield. He has written English adaptations of plays by Pirandello, Chekhov, Brecht, Schnitzler, Lorca, Gorky and Ibsen. For fifteen years he was an Associate Director of the National Theatre.