The Cambridge Companion to the Musical (Cambridge Companions to Music)

The Cambridge Companion to the Musical (Cambridge Companions to Music)

by Paul R. Laird (Editor), William A. Everett (Editor)

Synopsis

Tracing the development of the musical on both Broadway and in London's West End, this updated Companion continues to provide a broad and thorough overview of one of the liveliest and most popular forms of musical performance. Ordered chronologically, essays cover from the American musical of the nineteenth century through to the most recent productions, and the book also includes key information on singers, audience, critical reception, and traditions. All of the chapters from the first edition remain - several in substantially updated forms - and five completely new chapters have been added, covering: ethnic musicals in the United States; the European musical; Broadway musicals in revival and on television; the most recent shows; and a case study of the creation of the popular show Wicked based on interviews with its creators. The Companion also includes an extensive bibliography and photographs from key productions.

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More Information

Format: Paperback
Pages: 328
Edition: First Edition
Publisher: Cambridge University Press
Published: 09 Dec 2002

ISBN 10: 0521796393
ISBN 13: 9780521796392
Book Overview: An accessible survey of one of the liveliest and most popular forms of musical performance.

Media Reviews
'This is a work of considerable genius ... intelligent, incisive, informed yet immensely readable.' Sheridan Morley
'... if you need one book on musical theatre, make it this one.' Music Teacher
Author Bio
William A. Everett is Assistant Professor of Musicology at the Conservatory of Music, University of Missouri-Kansas City. His articles and reviews have appeared in a number of journals including American Music, Opera Quarterly, and the Journal of the American Viola Society and he is also the author of British Piano Trios, Quartets, and Quintets, 1850-1950: A Checklist (2000). Paul R. Laird is Associate Professor of Musicology in the Dept of Music and Dance, University of Kansas. He is the author of Towards a History of the Spanish Villancico (1997), and Leonard Bernstein: A Guide to Research (2002), and co-editor with Craig H. Russell of Res Musicae: Essays in Honor of James W. Pruett (2001).