The Taming of the Shrew (Cambridge School Shakespeare)

by William Shakespeare (Author), William Shakespeare (Author), Michael Fynes-Clinton (Editor), Perry Mills (Editor)

• Used

  Paperback
  1992

  $3.48

  Like every other play in the Cambridge School Shakespeare series, The Taming of the Shrew has been specially prepared to help all students in schools and colleges. This version aims to be different from other editions of the play. It invites you to bring the play to life in your classroom through enjoyable activities that will help increase your understanding. You are encourage to make up your own mind about the play, rather than have someone else's interpretation handed down to you. Whatever you do, remember that Shakespeare wrote his plays to be acted, watched and enjoyed.

• Used

  Paperback
  1984

  $3.25

  Audiences have always delighted in the robust comedy and verbal inventiveness of The Taming of the Shrew . It has survived many adaptations ranging from, probably, the play printed in 1594 as The Taming of the Shrew through several eighteenth-century versions to modern-dress productions and transformations into ballet, musical, film, and opera. Introducing this new edition, H.J. Oliver pays attention to the play's theatrical virtues while also providing a deeply considered study of its textual problems, structural complexities, and interpretive challenges. This book is intended for students of English literature, Shakespeare, drama, comedy from sixth-form level upwards; actors, directors, playgoers.

• New

  Paperback
  1993

  $6.72

  Edited, introduced and annotated by Cedric Watts, Research Professor of English Literature, University of Sussex. The Wordsworth Classics' Shakespeare's Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. The Taming of the Shrew is one of the most famous and controversial of Shakespeare's comedies. The central relationship, in which Petruchio boisterously 'tames' a rebellious Kate, has often appeared problematic. In the theatre, it has been treated in a diversity of ways, so that Kate's apparent capitulation varies between the ironic and the sincere. Feminists have been divided in their responses. The provocative vitality of this comedy has been transmitted by numerous adaptations for stage and screen, notably the film directed by Franco Zeffirelli and the Cole Porter musical, Kiss Me, Kate.