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Used
Paperback
1992
$3.50
Cambridge School Shakespeare offers an active approach to classroom Shakespeare, enabling students to inhabit Shakespeare's imaginative world in accessible and creative ways.
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Used
Paperback
1987
$15.23
The Tragedie of Julius Caesar dates from around 1599, and was first published by Heminge and Condell as the sixth play in the Tragedies section of their First Folio of 1623. The Folio text is thus the only authoritative text of the play and has been the basis of all later editions. Julius Caesar is also a particularly clean text with few obvious errors and comparatively few points where conjectural readings are called for. There is ample evidence of thematic ambiguity in the play, an ambiguity which the play's editorial and theatrical history has sought to smooth over. The editorial resolution of ambiguities has closed off certain routes of interpretation, directions that the original text offers its readers and performers. This new edition presents the play in the form in which it appeared in the First Folio, restoring, for example, the Folio's punctuation and lineation and revealing through these rhetorical emphases and nuances of characterization lost by later editorial regularization. Julius Caesar is a profoundly political play easily made to reflect the political dilemmas of the society in which it is produced. Not only is it amenable to such appropriation by virtue of its political themes but also because of its essential enigmatic nature. The editorial tradition of removing these complications has the effect of modifying and distorting the play. This edition returns the original form of the play to circulation and thereby reopens the avenues of interpretation that were originally offered by Julius Caesar.
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New
Paperback
2004
$7.35
Edited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex. Julius Caesar is among the best of Shakespeare's historical and political plays. Dealing with events surrounding the assassination of Julius Caesar in 44 B.C., the drama vividly illustrates the ways in which power and corruption are linked. The cry 'Peace, freedom and liberty!' is used to exculpate brutal realities, while personal ambitions taint public actions. Rich in characterisation and replete with eloquent rhetoric, Julius Caesar remains engrossing and topical: a play for today.